This is a mirror ballet about loneliness and obsession. Shen Zhao has lost his loved ones, is unemployed and lives alone, and is like an island in the real world; Jiang Yan has been trapped in the mirror for forty-five years, longing to be seen, remembered and loved. They are each other's reflection, each other's antidote, and each other's poison.
The mirror is not only a prison, but also a mirror of the human heart - it amplifies the possessiveness and dependence deep in Shen Zhao's heart, and also reflects Jiang Yan's desperate desire for "existence". When the boundary between reality and reality gradually blurs, when love and erosion grow simultaneously, they must answer:
If salvation means farewell, if love is doomed to eclipse each other, should this emotion that transcends reality and reality be embraced tightly, or should it end with one's own hands?
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"Jiang Yan will be flooded, and will eventually be flooded. When Jiang Taigong fishes for a fish, whoever wants to take the bait will be hooked. Am I the fish that she wants to be hooked, or am she the bait that I hang on the hook?"
——Shen Zhao's diary
Intention: I drew a pie for myself when I was in high school, and now I can cash it in for myself when I come back.