Her words were always as clean as a glass of water, until someone added something to her glass - command, possession, temptation. So she discovered... Discovered - she used her pen to write about others, and she also used her pen to write about herself as desire
Her first book was squeaky clean; her fourth was scorching hot; everyone wanted to know what happened to her.
Write about desire, not for consumption; write about power, not for violence; let female desire become the language of subjectivity.
Shu Huai made his debut with clean, precise and restrained writing, and is known as the dark horse of youth literature. Her novels are like a glass of water - transparent, calm and blameless.
Until the third and fourth books were rejected one after another.
The editor said to her: "Your writing is too clean. People are not fascinated by cleanliness."
At that moment, what she felt was not shame, but a subtle relief.
Through repeated attempts at language and exchanges of relationships, Shu Huai began to learn to give orders, accept obedience, and constantly change positions between dominance and delivery.
Desire is no longer a footnote for others, but a way for her to re-understand writing, power, and self.
This is a modern literature about how power flows, how female-desire becomes a subject? And how writing is rekindled by the body.
Purpose: Written to all those who have been taught to be restrained, clean, and well-behaved, but still long for the truth; remember that desire is not degeneration, but that you are finally no longer absent from yourself.