Jiang Wan, a restorer of cultural relics in the Forbidden City, traveled through time and became a small makeup artist who rose to power through connections in the entertainment industry.
The original owner was cowardly and was humiliated in public by top tier Su Weiwei because the domestic foundation in her hand was not "high-end" enough. But no one knew that she could restore the eyeliner of the Tang Dynasty within an error of 0.1 Millimeter, and could use an ancient mirror to see through the "charm" of a person's face - Su Weiwei's sad and beautiful background in the late Tang Dynasty, Lin Yue's innocent character in the prosperous Tang Dynasty, could not escape her eyes.
She used a fire stick to create the battle-scarred makeup of an orphaned girl, set off hot searches with her Han Dynasty pottery figurine makeup, and reversed public opinion with her Dunhuang Bodhisattva makeup. She used ancient techniques to overturn the aesthetic hegemony in the entertainment industry.
Shen Zhixu, the most picky director in the industry, uniquely recognized her: "Others draw the skin, but you draw the soul."
From variety show counterattacks to endorsements of domestic products, from Dunhuang mural restoration to Forbidden City project consultant, Jiang Wan used a pen and a fire stick to prove that Eastern beauty has never been an appendage of Western aesthetics, but a millennium inheritance engraved in the blood.
Slowly and warmly, the relationship goes in both directions, with the professional line as the main focus and the emotional line as the supplement. There are no bloody misunderstandings, only the mutual success of "understanding the soul".
Purpose: This article uses "restoration of ancient makeup" as an incision to tell the story of Jiang Wan, a restorer of cultural relics from the Forbidden City who traveled through the entertainment industry and used thousands of years of ancient craftsmanship to break the hegemony of Western aesthetics and awaken the soul of Eastern aesthetics. The core concept focuses on three points: Professional power: supported by the hard-core skills of ancient makeup restoration and cultural relic restoration, proving that the confidence of "beauty" comes from profound cultural accumulation and professional persistence; Aesthetic confidence: breaking the misunderstanding of "Western standards define beauty", conveying the cultural confidence of "Oriental beauty does not need to be deconstructed, it is rooted in blood", echoing the resonance of the era of the rise of domestic products; Self-awakening and inheritance: both writing about Jiang Wan's journey from "the soul of restoring cultural relics" to The growth of "repairing the soul of aesthetics" also describes Su Weiwei's awakening to break away from the constraints of personality and accept her true self, and finally settles on the inheritance proposition of "keeping my face with you forever" - protecting the cultural roots and protecting the "authentic beauty" of each individual.