Su Wan never thought that after three years, he would reunite with Lu Shiyan at the site of an ancient building renovation project as a cultural relic restorer.
He is the chief designer of the project, in a suit and leather shoes, calm and sharp; she squats under the protective shed, covered in sawdust, focusing on repairing century-old window lattice.
The misunderstanding back then was like an unrepaired rift between the two of them - she thought he compromised for fame and fortune and chose a well-matched investor; but he was afraid that the mess of failed business would drag her down, so he pushed her away in the most clumsy way.
The lotus pattern on the ancient window lattice hides his exclusive mark from his youth; the dusty old things remember the unspoken affection between the two. From reporting disturbances to family obstacles, from dealing with crises side by side to frank confessions on rainy nights, while repairing cultural relics, they also repaired each other's love bit by bit.
Su Wan said: "The restoration of cultural relics pays attention to 'repairing the old as before', and so does love." Lu Shiyan replied: "I don't want to be 'as old', I want to live every new day of the rest of my life with you in the warm fire of the embers." - The ancient window lattice witnesses the reunion, and the ingenuity protects the love. This is a healing love about "missing and finding back".
Intention: Good love is mutual achievement. Even if the years wear out and misunderstandings arise, the warmth of the embers can start a prairie fire; cultural relics need to be restored, and love also needs to be cherished.