The locust trees in the old alley have turned green thirteen times, and Liang Zhi has been with Song Cheng for thirteen years. He is the science master who helps her pass whale sticky notes in class, the hidden pianist who plays special melodies for her in the piano room, the gentle boy who always catches her lost painting tools; she is the painter who lies on the window sill of the piano room and listens to him playing the piano, the little tail who draws little people on the edge of his textbook, and the girl who clutches her sketch book and looks forward to the same future.
In the fragrance of seventeen-year-old locust flowers, they shared the sweetness of orange soda and agreed to watch the art exhibition side by side in the midsummer of city A. But the wave of reality caught him off guard - he gave up the piano for his family's expectations, and also gave up the agreement with the city. Carrying the graffiti in the piano music folder, he rushed to a strong science school thousands of miles away; she held the unsent application form and painted thirteen degrees of Sophora japonica in the art gallery of City A, but could no longer draw the two of them side by side.
We met again five years later. He was wearing a suit and leather shoes, and there was a beautiful woman by his side; she had a bright painting exhibition, and her paintings were full of old times. The same watch hides unspoken concerns, and the faded whale pendant holds unspoken regrets. It turns out that the thirteenth summer when the scent of locust trees is overflowing is not the end, but the most painful end of their youth - they have not forgotten it, but they can never go back.
Concept: Unspoken concerns: Silent two-way regret