My name is Chen Ling, and I am a third-rate drama actor.
That day, I opened the dressing room door and saw my own body.
He was wearing the same costume as me, had the same face as me, and had a prop dagger stuck in his chest.
Sirens sounded outside the theater, and I, the only living person, became the biggest suspect.
In order to survive, I was forced to play a role - the calm bystander, the innocent victim.
But when I looked in the mirror and tried to squeeze out panicked tears, I saw "me" in the mirror, with a weird and crazy smile that didn't belong to me at the corner of my mouth.
"Stop acting," I said softly in the mirror, "You are me."
"And we... Are the only spectators of this murder."
Now, the show begins.
Concept: Chen Ling was originally a third-rate actor, playing other people on the stage. In life, she may also be a "supporting role" defined by fate and social roles. He discovers that he is a "play puppet" or "vessel", which means that his entire existence may be a "script" written by a higher power (the play god). Therefore, the core conflict of the novel is his rebellion against his preset destiny and identity, transforming from a "played role" into a "master who writes his own script."