Su Wan, the top bronze restorer in the National Museum, was accidentally involved in the turbulence of time and space while repairing a golden chime clock from the Warring States Period, and his soul traveled to the body of the frail and sick third lady of the Zhongyong Hou Mansion of the Dasheng Dynasty. Faced with the fate of being regarded as a "victim", she relied on her professional skills as a cultural relic restorer and her ultimate perception of "objects" to use "repairing objects" as a blade to break the conspiracy of the house and tear away the hypocrisy. From identifying poisonous weapons and searching for old objects, to restoring national treasures and deciphering history, she found a new way in the patriarchal society, exploring the fire of civilization and the mysteries of time and space among the rust of bronze and the remains of ancient books. She is not trapped in love or confined to her inner house. She uses her hands as a pen to write the legend of a "cultural relic restorer" in this strange era, protect civilization, and also carve out a "counter-journey" for herself against the current.
Concept: "Reverse Journey: I Repair Cultural Relics in the Crack of Time and Space" takes "Artifacts carry civilization, restoration is redemption" as its core concept, and reconstructs the historical narrative from the perspective of a cultural relic restorer. The heroine Su Wan uses modern professional skills as a blade to open up a reverse journey of "physical evidence of history" in a patriarchal society, not only freeing individuals from the shackles of fate, but also extending their lives in a more civilized way. The work breaks the cliché of "rebirth is revenge" and sublimates the restoration of cultural relics into a ritual of civilized dialogue. Among the rust of bronze and the broken pages of ancient books, it explores the eternal proposition of civilization inheritance - those fragments of civilization crushed by time will eventually be reborn in the hands of those who understand it.