It's super pretty! ! ! Just a child, but not loved at all, reborn! Revenge, micro palace fighting, the male protagonist really loves the female protagonist! Super nice
The heroine is sober. She is neither a little white flower nor a king flower, but a relatively rational modern person. The male and female protagonists have no love, only long-lasting family ties. The later part is a bit trivial and tells the story of the heroine's son and daughter.
The female protagonist came to the army to look for her brother. She was so beautiful that the male protagonist fell in love at first sight! When his family came to visit relatives in the military camp, he saw Jiang Nianzi, a beauty wearing a cheongsam and red lips and dark hair. He shouted to his comrades: "Brother." As a result, the shrewish mother favored girls over boys, the white lotus sister was a sister-controller, the grandma was a beauty-controller, and the younger brother was brainwashed by the mother. Sister is heaven!. Fkvcl164pgkbf
1. **Extreme contrast and identity reversal:** "Shou Ma/Tongfang" vs "Queen", "Being beaten and warned not to be greedy" vs "Prince holds the phoenix seal and begs to stay together", the huge gap in status brings strong dramatic conflict and a sense of satisfaction. 2. **Creation of Highlight Moments:** The plot design of "Three Entries and Three Exits of the East Palace Fire" is extremely clever, full of black humor and profound irony, which vividly displays the heroine's sobriety, independence, love and justice, and desire for freedom, which is the soul of the whole book. 3. **Sober and tough heroine image:** Yu Niang is by no means a silly or love-minded person in the traditional sense. She assesses the situation, is able to bend and stretch, maintains a clear understanding in desperate situations (knowing what is really important to herself), and dares to make decisive choices at critical moments. Her comeback was a combination of intelligence, tenacity and a little luck. 4. **Complexity of the image of the prince:** The transformation of the prince's mentality from a cold giver to a humble beggar is another highlight of the story. His "greed and delusion" stem precisely from the epiphany (or rebound of possessiveness) after loss. This setting of "the crematorium for chasing his wife" is extremely tense. 5. **"Shuang Jie" setting and emotional game:** (1v1, Shuang Jie) annotation meets the needs of a specific group of readers, and also implies that the complex emotional entanglement between the two does not stem from physical infidelity, but the misplacement of power, status, cognition and emotional investment.