Mushoku Tensei: No One Understands Restraints Better Than I Do

What about bondage? I read almost ten chapters, and I didn't even bother to hang up. I ran away early because I came here because of the restraints. Is the protagonist too weird? What about the core of bondage? Performance is over I feel so uncomfortable watching it. The protagonist has always followed the main plot in the early stage, and his personality has not been shown at all. He is acting badly and trying hard, and there is no golden finger.

At the moment, it feels quite satisfactory, but the combat and the protagonist are too normal. There is no magical feeling like a curse. The restraints are also used too little. There is no sense of presence in the battle.

The content is good, and the plot flows smoothly and has transitions. Although there are not many, you can still see that there is a good plot planning outline. The setting is quite attractive, but the combat descriptions are somewhat inconsistent with the appeal of the setting. The constraints of the spell return battle are played out in Tomato, but the current battle does not have the interlocking tension and game. For those who are attracted by the spell-returning setting of Bound, I think they will still prefer Tomato's current god-man combat atmosphere.

The character of the protagonist is very likable, he is relatively calm, gentle and kind. The progression of the plot is also very smooth. The original characters are not OOC, so far it is a very interesting novel. It is worth mentioning that there is no routine process of defeating and slapping someone in the face so that they can continue to suffer. Otherwise, it feels like there is not too much care in the development of the use of restraints. Hope to think about it carefully. Overall, I highly recommend watching it [I also strongly recommend it]

It looks good. I like the saint character of the protagonist very much. But if the author wants to create an original heroine, he needs more writing skills to shape the heroine to prevent her from becoming a vase or accessory. Moreover, the protagonist is a good person. I personally would like to see other people's views on the protagonist, such as Lilia and the two For the younger sisters and the heroines (of course, you can leave it blank), I am looking forward to the difference in attitude between the two younger sisters towards Rudy and the protagonist, and then write some interesting little drama, as well as the plot of meeting the dragon boss, and the boomerang of the protagonist marrying several wives later, but to be honest, the protagonist is the one who is captured. 🤔

It's fun to rush back to the curse and fight, and you can leave now.

It's readable, and it's better than some historical novels, but it's certainly not a masterpiece and has the value of being read.

I want to support it first, and then I read the beginning. This feeling of restraint can be tried by Shier, who permanently replaces the magical power with physical strength and fighting spirit quality. After all, in this world, swordsmen are more powerful. Enemies that can be beaten with magic will be killed faster with swordsmanship, and enemies that cannot be beaten with swordsmanship will die faster with magic.

So how many heroines are there?

It's possible, but the restraint aspect is a bit stretched. The protagonist's restraint is still an enhanced version, and can even be borrowed with things that may be available in the future. For example, after becoming an apostle of humans and gods, you cannot get any benefits, and you will die even if you get benefits😎