Wait, You're My Future Girlfriend Too?

Currently, I have very good feelings about Li Luliu, and the author's writing style is also very delicate, with a sense of hesitation between daily writing and youthful pain writing. The protagonist has contradictions, plot conflicts, and visible growth in the future. This is also the selling point of a character's arc. (Weakness of escaping problems) The title of the book is very consistent with the theme of the book. It takes the emotional line as the core, uses daily narrative techniques to pave the way, and unfolds the story of the three female protagonists. Currently, I have personally seen the three female protagonists. It is possible that new characters will appear later, but in any case, I hope to improve the charm of the old characters before the new characters appear. From the current point of view, Li is a bit eccentric and quick-thinking, Lu is calm and pure, and Liu is lively and cute. Among these three people, Liu has the weakest sense of story and his character is not very attractive. In my opinion, Lu and Li are equally divided. Whether it is a single female protagonist or multiple female protagonists, as long as the female protagonist is not given away, I am very optimistic about the story of this book written by this author. Worth a look.

It feels like a stomach-nourishing article. Not sure, will wait and see for a while.

It's very good. Overall, it's a good read. There are three female protagonists, and there's no plot like a succubus and a heartthrob. The logic is smooth, the writing is smooth, there are no thunders or knives, it's not the same-yet-yet-yet-simple-mouthed kind of thing that makes you the best in the world, but the pace is relatively slow.

Must give 5 stars praise! First of all, I like Lu Youran very much. In the fast-paced life, I prefer this kind of slow love. From an objective point of view, this novel may focus more on the characterization of details, which is very real (for example, my grandfather used to add periods when sending messages; the eldest sister will also silently put the cloth into the cabinet when listening to the protagonist's story); and then there is "warmth" "It also touched me very much. There was no deliberate drama, and it was not the kind of madness that would lead to death. It also had a sense of inclusion. Some of the words in the article have dialect characteristics (dialects from Jiangsu, Zhejiang and Shanghai). As for the creation of contradictions, I don't think it is that important. There are not that strong conflicts (for example, the conflict between the father and the protagonist is also buffered by Qi Ling). When I read novels, I mainly want to experience them and make up for the gaps in reality. The protagonist is so unfortunate, and the protagonist is so lucky. I hope he will not let them down from the future, his future self, or his grandfather. In addition, the author hopes that the transition in the early stage can be less blunt (a third-year junior high school girl ran from Suzhou to Hangzhou alone and stayed there for a long time. This is a bit far-fetched [although the setting is before September, it still feels inappropriate, please add some logic]). Anyway, cheers to the author!

The overall rhythm is pretty good, suitable for Xiao Chunan's fantasy novel.

This kind of plot in which the future male protagonist's girlfriend travels to the past and still looks for the male protagonist has a problem that has not been explained clearly. Does the heroine like the male protagonist, or does she like the original male protagonist (the one the heroine knows and is with her). The world line has changed when the future heroine comes back. If there is a plot where the future heroine and the current hero are in love, but the future hero comes back to find the heroine, how should the future heroine choose? Do you think you are awesome? And if the future female protagonist comes to the current male protagonist with the idea of rekindling their relationship, that's not considered substitute literature. They are just two people with the same appearance and memories of more than ten years, but their futures are completely different. The current male protagonist is standing in front of the future female protagonist, but in the future female protagonist's eyes is the figure of the future male protagonist. I think that if the future female protagonist abandons the identity of her future girlfriend, she will recognize that she is not his concept and will not transfer her future feelings to the current male protagonist. After doing all this but still falling in love with the male protagonist, then this is pure love between the female protagonist and the male protagonist.

It's pretty good-looking, but the only drawback is that it's a bit bland...

It's good-looking, it's really good-looking, it's not like you'd be fooled by it. It's better-looking than most of Tomato's daily articles, but there's no need for a knife at the back!

Of the three major heroines currently appearing, I like Lu the most, and Liu is also pretty good. I don't know why I don't like Li at all. Almost all the plots involving her are skipped, which results in most of the plots being lost [awkward laughter]

The writing is good, the character interactions are interesting, but if you want to start a harem in the city, it depends on how the author can reasonably accept them all in the future. I personally support the harem. It can be seen that the characterization and lines are carefully created and well written.