Mid-Autumn Festival at Wangjiang Pavilion

[Adaptation of ancient classic Yuan dramas | Ancient sayings about power and strategy | A cool story about the heroine's counterattack | Good writing on traditional operas] Tan Ji'er, who has been widowed for three years, is beautiful and talented. She doesn't want to be alone all her life. With the help of her Taoist nun Bai Aunt, she marries Bai Shizhong, an upright official who went to Tanzhou. However, this good match angered Yang Yanei, the evil force in the city. This man relied on his family power to run rampant and wanted to take over Tan Ji'er. He actually falsely accused Bai Shizhong of corruption, defrauded the gold medal of the Imperial Sword, and came to kill his love rival in person. A catastrophe is imminent, and Bai Shizhong is at a loss what to do. Tan Ji'er is unwilling to sit still and wait for death, so he plans a brilliant countermeasure. On the night of the full moon of the Mid-Autumn Festival, she disguised herself as a fish seller in the market and went to Yang Yanei's river banquet alone. Faced with a powerful man with evil intentions, she was neither humble nor overbearing. She chanted lyrics, pretended to be gentle, accurately grasped the opponent's lustful weaknesses, got the group drunk, and stole the gold medal, the sword and the arrest document. Having lost the imperial token, Yang Yamen had no confidence at all, and there were many flaws when he came to pick up people. Tan Ji'er revealed all the evil deeds of the other party in public, just as the inspection censor arrived in Tanzhou to find out the whole truth. Those who committed evil were punished by being demoted from their posts in the government office. The couple cleared their grievances and stayed together in peace. There is no cruelty or misunderstanding in the whole text. The core point is that ancient women did not rely on family background or external forces, but only relied on wisdom to resolve the crisis of family destruction. This is a rare classical female novel.