[Double heroines]+[Different World]+[Magic]+[System]+[Yandere]+[Funny]+[Daily]
I fell in love with a yandere, that's a story
The yandere fell in love with me, it was an accident
Shen Luoli, a senior lesbian, died a year after falling in love with a yandere.
Cause of death: Imprisoned by his yandere girlfriend Ling Luoxi for three days and three nights, he died of exhaustion in his arms.
Shen Luoli opened her eyes and found that she had become the only daughter of a magical family, with wealth, lots of servants, and a handsome and wealthy fiancé. She clenched her fists and swore with tears in her eyes——
"I will never be a lesbian again in this life!"
The next second, a girl wearing a maid outfit pushed open the door and entered.
The exact same smile, the exact same eyes, the exact same sweet tone that made her scalp tingle.
"Miss, Luo Xi is here to take care of you."
Shen Luoli: "...???"
Reader comments
It's quite interesting. The following may be controversial points in the early stage. The latest chapter (Chapter 39)
Q1 Is there any breaking plot?
There is no past life setting in A1, but the identity in the new world has a marriage contract. After reincarnation, the protagonist said that he wanted to have a normal relationship, but judging from the subsequent plot, this is actually a tough talk! ! ! ! I don't have any feelings for men, or I only have feelings for the female protagonist. To sum up, I don't think it counts! Since I didn't fall in love with this male partner, I think Shuang Jie is also true.
The writing in the rhythm posts is really excellent, our protagonist is also a little tsundere, the plot is also very good, it can be regarded as a gold rush in history, in summary, I recommend all readers to read it!
It feels very interesting, the style of painting is relatively simple, not the kind of online writing
But I still have a few suggestions.
In the early reading, I felt that there was a bit of an imbalance between the two heroines. Here we will temporarily call the heroine surnamed Shen the heroine one and the other yandere heroine the heroine two.
Why is it that the heroine No. 1 Is still dependent on the heroine No. 2 For no apparent reason in this life when she already had emotional conflicts in her previous life? I think it stems from the imbalance between their two power points. It seems to be a relationship between master and servant, but in fact their family is his parents who are on the side of the second heroine. In the early stage, there were many areas where the first heroine felt that she needed to trouble the second heroine. Of course, as a yandere, the second child must be very willing, but it seems that external factors have created many opportunities for the two of them, and then. A good feeling was re-created.
The problem is that I didn't feel the second heroine's sincere regret. It's just that the stronger party used the resources to learn how to create goodwill and how to do it. Let the heroine accept it naturally. Standing in the third perspective and substituting the perspective of the heroine, the relationship between the two of them is like, I feel that my enemy has changed into someone I like, but if I think about it carefully, from the third perspective, she just learned a better disguise.
I think this problem is that the first heroine is completely better than the second heroine, and this should be done in the early stage, and then naturally when he has his own choice, he will think like this and after he has gained insight into everything, he will think about whether he should really choose the second heroine.
I don't reject yandere love, because I think it is. It's an expression of strong liking, but I don't want that kind of possessiveness to hurt myself. This kind of possessiveness is what I allow her to do when I have the power to control and stop it, instead of me being passive and having to accept this. Otherwise, if the heroine falls in love with the heroine in this situation, I feel like the symptom of the victim falling in love with the perpetrator - Stockholm syndrome
I think. As a heroine who has always been in the lower position. If you really write about her as a person. If she really has her own thoughts, she will face this for the first time in her life. The man who imprisoned himself to death must have had an escape. I hate it, the kind of disgust that makes me vomit even thinking about it. Because this kind of psychological burden should be relatively large. Otherwise, it seems that the heroine is a heartless romantic child.
I think we can also write more from the perspective of psychological description. The second heroine should have a little bit of it so that we might be able to understand her better so that we don't feel this kind of resistance.
Otherwise, if you bring in the first heroine and then know what the second heroine is going to do from a third-person perspective, you will feel powerless.
I like the author's writing style very much and will continue to follow it.
Maybe we can arrange for a few catfish to come in, such as those who like the first heroine, so that when the second heroine is broken, the first heroine discovers the kind of yandere in her heart... Because she is afraid, so she acts yandere, and then slowly talk about love. The kind of yandere who likes her absolutely, but would rather hurt herself to respect the heroine. Maybe more people would like it if the second heroine didn't have a comfortable attitude all the time.
Boss, here to support [blowing kiss]
There is nothing wrong with the plot and the writing is good. The best part is telling the story well.
It's quite interesting. The following may be controversial points in the early stage. The latest chapter (Chapter 39) Q1 Is there any breaking plot? There is no past life setting in A1, but the identity in the new world has a marriage contract. After reincarnation, the protagonist said that he wanted to have a normal relationship, but judging from the subsequent plot, this is actually a tough talk! ! ! ! I don't have any feelings for men, or I only have feelings for the female protagonist. To sum up, I don't think it counts! Since I didn't fall in love with this male partner, I think Shuang Jie is also true. The writing in the rhythm posts is really excellent, our protagonist is also a little tsundere, the plot is also very good, it can be regarded as a gold rush in history, in summary, I recommend all readers to read it!
It feels very interesting, the style of painting is relatively simple, not the kind of online writing But I still have a few suggestions. In the early reading, I felt that there was a bit of an imbalance between the two heroines. Here we will temporarily call the heroine surnamed Shen the heroine one and the other yandere heroine the heroine two. Why is it that the heroine No. 1 Is still dependent on the heroine No. 2 For no apparent reason in this life when she already had emotional conflicts in her previous life? I think it stems from the imbalance between their two power points. It seems to be a relationship between master and servant, but in fact their family is his parents who are on the side of the second heroine. In the early stage, there were many areas where the first heroine felt that she needed to trouble the second heroine. Of course, as a yandere, the second child must be very willing, but it seems that external factors have created many opportunities for the two of them, and then. A good feeling was re-created. The problem is that I didn't feel the second heroine's sincere regret. It's just that the stronger party used the resources to learn how to create goodwill and how to do it. Let the heroine accept it naturally. Standing in the third perspective and substituting the perspective of the heroine, the relationship between the two of them is like, I feel that my enemy has changed into someone I like, but if I think about it carefully, from the third perspective, she just learned a better disguise. I think this problem is that the first heroine is completely better than the second heroine, and this should be done in the early stage, and then naturally when he has his own choice, he will think like this and after he has gained insight into everything, he will think about whether he should really choose the second heroine. I don't reject yandere love, because I think it is. It's an expression of strong liking, but I don't want that kind of possessiveness to hurt myself. This kind of possessiveness is what I allow her to do when I have the power to control and stop it, instead of me being passive and having to accept this. Otherwise, if the heroine falls in love with the heroine in this situation, I feel like the symptom of the victim falling in love with the perpetrator - Stockholm syndrome I think. As a heroine who has always been in the lower position. If you really write about her as a person. If she really has her own thoughts, she will face this for the first time in her life. The man who imprisoned himself to death must have had an escape. I hate it, the kind of disgust that makes me vomit even thinking about it. Because this kind of psychological burden should be relatively large. Otherwise, it seems that the heroine is a heartless romantic child. I think we can also write more from the perspective of psychological description. The second heroine should have a little bit of it so that we might be able to understand her better so that we don't feel this kind of resistance. Otherwise, if you bring in the first heroine and then know what the second heroine is going to do from a third-person perspective, you will feel powerless. I like the author's writing style very much and will continue to follow it. Maybe we can arrange for a few catfish to come in, such as those who like the first heroine, so that when the second heroine is broken, the first heroine discovers the kind of yandere in her heart... Because she is afraid, so she acts yandere, and then slowly talk about love. The kind of yandere who likes her absolutely, but would rather hurt herself to respect the heroine. Maybe more people would like it if the second heroine didn't have a comfortable attitude all the time.
Boss, here to support [blowing kiss]
There is nothing wrong with the plot and the writing is good. The best part is telling the story well.