Chronicles of the Evil Abyss

The setting line of this book is really dense, including the four oracles, the third realm, the soul-stealing plan, the wedding bureau of Blood Dream Lake, and the dimensional fusion of Sandie Mio. Several lines are laid out at the same time. The names and powers of the first few chapters are a bit tight, and you have to keep up with your brain, otherwise it will be easy to get confused, but after reading it, it is really enjoyable. In the later period, several lines began to converge and collide. The reversal scene of Hiiragi Mushuang's awakening was a direct explosion, and the foreshadowing was also buried deep. The "power loss" was planted from the first shot of a slight sense of stagnation, which runs through the whole story. The disadvantage is that the threshold is indeed a bit high. It is not the kind of mindless novel, so be patient in the early stage. Overall it's worth pursuing, but the pitfall at the end left me scratching my head.

It's a pity that this novel was published in the wrong place Let's talk about the conclusion first: The foundation of this book is really good, but the first release here is considered a secret investment. This kind of fantasy that emphasizes settings, has a slow pace, and requires patience to read, if placed elsewhere, will most likely be able to activate a group of hard-core readers, and the number of readers will not be as low as it is now. The advantages are very real: the world view is solid, the system of sin, the rules of spirit hunting, and the rules of trial are designed with a sense of hierarchy, not a random set. The battle is not just a battle of numerical values, but a game with rules, which makes it enjoyable to watch. Feng Yumeng and Hiiragi Mushuang, the twin emperors of gods and demons, are well written with a sense of fate and pull, without any clichés. The shortcomings are also obvious: there is too much information in the early stage, the pace is slow, and it is easy to dissuade passers-by in the first three chapters. The supporting roles are not evenly distributed, and the emotional foreshadowing of Rin and Mitsuha Oriye's exits is lacking. The text sometimes pursues description too much, and the dialogue is more stage-like, lacking a bit of the refreshing feeling that web writing should have. Overall, this is a work that requires patience and is worth savoring. Unfortunately, the algorithm and audience here are not very fond of it. If you change the place, it will definitely not be as popular as it is now. After reading the second part, the author still prefers hardcore settings. Straight from the cage to the competition for hegemony in the academy ten thousand years later, the information density is still explosive. The arena competition and multi-party games complete the crime, spirit hunting, and trial systems. It is very enjoyable to set up the party. There are also shortcomings. The new maps and new characters are too spread out, and the supporting roles are still uneven and occasionally appear messy. But Ray's triple identity reversal is really amazing: from "Nadia Weir" who rescued the Sannomiya sisters and hosted the arena competition, to "Prenoles", the principal behind Isnar, and then to "Ray S. Smith", the emperor of the space and time clan who was hunted by Qingnuofu. , Peeled off layer by layer, especially when the fingers were snapped at the end of the ring, the world turned into a dead wasteland, and the dress faded away to reveal the real body, I got goosebumps. In addition, the reversal of Sannomiya Hiirano's exchange of necklaces dragged the gods and demons into a fatal situation, which was very heart-wrenching. It is still a hard-core article that picks readers. If you are impatient, it will be easy to discourage, but those who like world view games will be very popular. I hope that the follow-up multi-threading will be more compact.

This novel is really good to read as a refreshing novel. The three butterflies and Mio are crazy in one glance, and the red dream is completely golden. The setting of spiritual crystal + inversion directly reminds me of Date Live, but the author played his own tricks. There are so many foreshadowings that are ridiculous, and the later twists come one after another, which is really enjoyable to watch. The only problem was that the start was so grinding that I almost couldn't hold on. Overall, it's worth seeing. Follow-up review: Finished it in one go, without vomiting or being unhappy. I said there were a lot of foreshadowings before, but I didn't expect the knife to be so dense. Ray's line is amazing. Natiaville, Prenoles, and Ray are all the same person in the three vests. Ray treats everyone as pawns and performs three big plays by himself. Recalling that cold rational evil makes his back shiver. The derivative skill system is also solid, from "sin" to "judgment" to "taboo" and "judgment". The backlash probability in the group arena, the immortal curse versus the sin of the abyss emperor, the tactical game is very enjoyable, not a mindless crushing. But the knife was too harsh. Sannomiya Hiirano approached Yumu Kaede with a secret, and finally went to sacrifice calmly to protect everyone. The words "I'm sorry, Yu-chan" were really uncomfortable. The scene where Qingnuofu and Hiiragi Mushuang reverse time and change the necklace brings the closed loop of cause and effect to life. The sentence "Have we met somewhere before?" Ten years ago, the plot is the cause buried by Feng Youmeng himself, and all the daily life in the early stage are connected. Of course, there are also shortcomings: the pace of the post-production is too fast, the perspective of the group portraits switches frequently, the amount of information explodes after the vest is revealed, and it is a bit brain-consuming to figure out the motivations. The protagonist team has been filling in the plot with their lives, which makes my heart hurt watching it. Overall, this is an underrated masterpiece of group portraiture. It has a great sense of big scenes and reversals. I beg the author to leave some sweets for the protagonists, so that they don't all get lost in battle!

This is not a cool article, but it feels good to get through the early stages. The novel has a dense setting and many characters. The first twenty chapters are easy to get confused, so it is suitable for readers who like to study rule systems. I really dare to bury the foreshadowing. At the beginning of the second volume, Hiirano's "girlish thoughts" about changing the necklace directly become the key to the comeback later on; Sakie's identity, Akameng Ming's "death", and the person Qingnuofu chases are all recycled across parts, and you will feel "that's it" after seeing it later. The plot is not just about fighting monsters. Reversal is not darkening, it is personality being covered by extreme emotions; the stronger the verdict, the easier it is to be swallowed up; even the villain has his own logic of survival, and there is no pure tool man. However, the reading threshold of this novel is relatively high, with jumping timelines and multiple parallel lines. It is recommended to read it in one sitting if you have time, as many idle words will become key clues. In a word: If you are willing to use your brain, enter. If you want to see a brainless crush, enter with caution.

The story is good, looking forward to future updates

The story combines high-intensity battles with calculations by multiple forces. The multiple identity reversals are very interesting. The supporting characters are also not perfunctory, and there are foreshadowings everywhere.

I think the plot is okay, but why are there so few people?

It feels pretty good. Why are there so few people?

It's very interesting and long-lasting. This book is worth reading carefully.

The writing is very good, the plot is rich and exciting, the more I read, the more I like it.