Shen Mo traveled back to the Xuanhe era and was a down-and-out scholar.
His predecessor died of alcoholism, his wife eloped with others, and the family was destitute. Even the iron pot was moved away.
Relying on his painting skills to make a living, develop his family business like a farm, meet many beauties, and interpret a delicate life.
Fortunately, he brought with him thousands of years of aesthetics and painting skills, and he was able to paint vividly and without being restricted to genres.
First, he made a living by relying on the pictures of beautiful ladies and publicity posters in the market. In his spare time, he used pen to describe the beauties of the country, made close friends, and met countless beauties.
Living in the heyday of Bianliang, he was fortunate enough to witness with his own eyes:
Wang Ximeng wrote "Thousands of Miles of Rivers and Mountains", and Zhang Zeduan painted "Along the River During the Qingming Festival", which allows us to appreciate up close the thin gold calligraphy and imperial brushwork of flowers and birds from the era of Emperor Huizong of the Song Dynasty.
He discussed painting with the world's top painters and interacted with the literati of the Song Dynasty.
But under the prosperity of the prosperous times, Jingkang's shadow is undercurrent.
Hold a pen and ink, paint the wind and moon of the world, describe the mountains and rivers thousands of miles away, and live up to this opportunity to live a new life.
