Archaeologist Lin Zhi accidentally fell into time travel and walked through the history of Chinese dynasties.
She will possess historical figures of various eras, guard the mountains and rivers in the northern frontier of the Yin and Shang Dynasties, stabilize people's livelihood at the borders of the Qin and Han Dynasties, and go to the fireworks world of the Tang and Song Dynasties to make up for the shortcomings of the times.
She either takes on the historical mission of the original owner and protects a territory; or she breaks away from the shackles of the times on women and carves out a way forward on her own.
Linzhi always anchors the righteousness of her family and country, protects the common people with thousands of years of wisdom accumulated in cultural relics, takes root and contributes in every dimension, and lives her own unique heroine in the torrent of history.
Reader comments
The core of the story breaks out of the cliche fast-travel template of "revenge and seizing love", and the two-line narrative is extremely deep. One line is the righteousness of the family and the country: the heroine travels through the ages, inherits the original owner's mission to defend the territory and stabilize people's livelihood, respects the true historical background, does not arbitrarily tamper with major historical trends, and retains the unique weight and restraint of history; the other line is women's liberation, In an ancient society with strict etiquette and many shackles, she did not rely on powerful men. She broke the shackles of the times on women with her own knowledge and courage. She did not rely on love to prove her own worth. She opened up the way forward step by step and perfectly held the core definition of a "big heroine".
The writing style is gentle but powerful, without any exaggeration or brainless plot, and there is awe of Chinese civilization hidden in the words. The author uses the heroine's experience to convey a gentle but firm core: No matter which period of history we are in, women do not have to rely on others, they can live their own light with family and country in mind and strength in hand.
The core of the story breaks out of the cliche fast-travel template of "revenge and seizing love", and the two-line narrative is extremely deep. One line is the righteousness of the family and the country: the heroine travels through the ages, inherits the original owner's mission to defend the territory and stabilize people's livelihood, respects the true historical background, does not arbitrarily tamper with major historical trends, and retains the unique weight and restraint of history; the other line is women's liberation, In an ancient society with strict etiquette and many shackles, she did not rely on powerful men. She broke the shackles of the times on women with her own knowledge and courage. She did not rely on love to prove her own worth. She opened up the way forward step by step and perfectly held the core definition of a "big heroine".
The writing style is gentle but powerful, without any exaggeration or brainless plot, and there is awe of Chinese civilization hidden in the words. The author uses the heroine's experience to convey a gentle but firm core: No matter which period of history we are in, women do not have to rely on others, they can live their own light with family and country in mind and strength in hand.