The concubine Qin Ji who worked hard for the harem in her previous life was reborn on the night when she was forced to sacrifice. In this life, she no longer sacrificed herself. With her musical ability of listening to music and discerning hearts, she pushed everyone in the palace who pretended to be virtuous, affectionate, and innocent to the ground and slapped them in the face.
Core selling point: The heroine is not a hidden boss, nor does she have a serial vest. Her identity and abilities have been obvious from the beginning: a silver-haired palace musician and concubine who was despised as old, useless, and should give up her throne, but she used her musical talent that everyone looked down upon to expose fake pregnancy, fake loyalty, and fake saints. The more she refused to give, the more she was pushed to the most noble position by the situation.
The main axis of the book: the heroine goes from being treated as a sacrificial old object in the harem to taking charge of palace music, palace rules and the power to evaluate the throne. She joins forces with the young concubines and the poor champions who were forced into the game, tearing apart the competition for the throne in the new emperor's harem, liquidating the people who squeezed her out in the previous life, and finally establishing a new palace order that does not rely on flattery, female competition, and relies on ability to establish a position.
