While fellow internet celebrity restorers were still smearing glue, filling with soil, and making "ten-minute cross-dressing and tear-off movies", Jiang Chen was sorting out the legacy left by his master in the old street.
When others look at cultural relics, they look at market valuation and room for appreciation;
When Jiang Chen repairs cultural relics, he cares about the fate and people behind them.
An old coarse porcelain bowl that was broken three times, with the survival meal tickets of the refugees stuck in it in 1938;
A powdered and peeling butterfly plate from the Qing Dynasty, in the center of which is hidden the 100th white butterfly left by the memories of all the girls in the school;
A waste clay pot with even the spout missing, engraved with the bones of a clay tester made by an old craftsman after smashing his half-life work;
Even the fake Shi Tao bought for 800 yuan at the auction, peeling off the layers of disguise, revealed a real old image of an unknown woman painting Yi Liang on a cold winter snowy night.
Bind to the [Civilization Heritage System], there will be no luxury cars or cash refunds, only cruel mistakes review and infinite master database.
Without one click to withdraw, the falling knife is history.
"If you make a mistake in editing, you can't read the file. It's a bit stricter than when you edit a film."
Faced with crazy capital, anti-counterfeiting live broadcast rooms, and stolen national treasures lost overseas, Jiang Chen put on his gloves and looked indifferent:
"For too long, the name of a fake artist has trumped a real person."
"You call this a disabled rag, I call it a historical archive point for ordinary people."
