Transmigrate into a Book Set in the Seventies: The Villainess Remarries, and Her Ex-Husband Regrets It

Tao Ran wakes up and finds herself transmigrated into a book as the female lead’s rival, the male lead’s doomed first wife.

In the book, the male and female leads fall in love at first sight, but the male lead is already married.

So he wants a divorce, while the supporting female character refuses. She follows him to the army and keeps making trouble until she ends up drowning.

Even her son becomes a mere foil to the male and female leads’ genius quadruplets. He grows up to be a villain, and naturally meets a bad end.

Tao Ran is furious. How is any of this reasonable?

What kind of values are these? How can a man like that be the male lead?

Tao Ran has no intention of making a scene. She negotiates the terms of the divorce decisively, then gives the leads a taste of their own medicine: they both end up unable to have children. They can have their genius kids in another family instead.

They can forget about climbing to the top over her and her son.

Tao Ran plans to raise her child and farm the land, content with that for the rest of her life.

Who could have guessed she would meet Fu Jingzhi?

Poor Fu Jingzhi has been sent down to the countryside and is now lame.

As they spend time together, the two end up falling for each other.

If that’s the case, Tao Ran can’t have the man she likes walking with a limp. Her healing ability cures his leg.

Later, Fu Jingzhi is officially rehabilitated, and Tao Ran gets into university.

By the time her ex-husband’s family slinks back to the countryside to farm, they discover that his ex-wife has become someone they can only look up to.

Her ex-husband regrets everything and tries to take their son away and win her back. Tao Ran has her bodyguards throw him out and tells him to get as far away as possible.

Her villain son says, “I only want Mom, not Dad!”