Northeastern girl Wen Jiujiu accidentally awakens and finds out that she is an unknown stranger in a sweet pet novel.
And the old man she grew up with turned out to be the dank villain's second male lead who controlled the female protagonist, framed the male protagonist, and was eventually sent to work on a sewing machine?
As an aspiring young man who went to teach after graduating from college, she would never allow Lao Tie to touch the red line.
It is said on the Internet that dampness is a lack of love.
Warm wine and wine do the opposite.
When Lao Tie goes to work, I follow him.
When Lao Tie got sick, I pretended to be crazy.
I am more in need of love than you are.
I'm more perverted than you.
Watch me follow the clues, find the cause of your disease, and cut off your lifeline.
Later, the heroine appeared. Seeing Zhu Ma becoming more energetic, emotionally stable, and successful in his career, Wen Jiujiu finally retired and left overnight.
We met again in the cram school, where the wolf, the dog, and the bamboo horse suddenly became the boss.
The man took the schoolbag from the child's hand, glanced over casually, and left briefly.
Wen Jiujiu doesn't care much about it. Zhumen is against Zhumen, and Zhumen is against Zhumen. With her current status, and considering that she was just a child, it's too embarrassing.
Unexpectedly, before she could leave, the man caught her back overnight and said with scarlet eyes, "Don't be afraid of me. I've changed everything you don't like."
Looking at the small toys in the room, Wen Jiujiu took a deep breath.
The condition is obviously getting worse!
Reader comments
There are some gender stereotypes.
Chapter 6 uses passers-by's comments to elevate the male protagonist. Passer-by: It's that handsome guy again... He's got such a great figure that he looks good even wearing a sack... Compared to the heroine's plain clothes, passer-by: She can't be his girlfriend, she's so frumpy.
. . ? And with this trick, they all like to charm the male protagonist while simultaneously pulling down the female protagonist. What are you doing?
It's actually okay, but I don't want to read it, so I'll mark it. First, the smell of dirt is too strong, which makes me very tired. Another point is that the heroine keeps saying that the hero will find a girlfriend in the future, and then the two of them act very intimately. I understand that they are just growing up, but being so close and constantly emphasizing the hero's future girlfriend makes me feel very uncomfortable. It will make my perspective unconsciously jump to *future girlfriend*, which makes me feel very uncomfortable psychologically.
There are some gender stereotypes. Chapter 6 uses passers-by's comments to elevate the male protagonist. Passer-by: It's that handsome guy again... He's got such a great figure that he looks good even wearing a sack... Compared to the heroine's plain clothes, passer-by: She can't be his girlfriend, she's so frumpy. . . ? And with this trick, they all like to charm the male protagonist while simultaneously pulling down the female protagonist. What are you doing?
It's actually okay, but I don't want to read it, so I'll mark it. First, the smell of dirt is too strong, which makes me very tired. Another point is that the heroine keeps saying that the hero will find a girlfriend in the future, and then the two of them act very intimately. I understand that they are just growing up, but being so close and constantly emphasizing the hero's future girlfriend makes me feel very uncomfortable. It will make my perspective unconsciously jump to *future girlfriend*, which makes me feel very uncomfortable psychologically.