Jiang Yunshu returns to the 1980s with a miraculous space worth billions. Her two adopted sons are one a reborn villain bent on revenge, the other a lucky charm who attracts good things wherever he goes.
The first time Lu Qilin sees her, he suspects she’s an enemy spy. She pulls a baby bottle out of thin air, and he suspects she’s a monster. She breaks a hoodlum’s leg with the back of a knife, and he suspects she’s an assassin.
Jiang Yunshu: “Kid, stop making things up and drink your milk.”
Lu Qilin: “One day, I’ll make you pay!”
In the end, Jiang Yunshu changes his diapers, feeds him, and wipes his face. The little villain goes from “I want revenge” to “Mom, the water’s gone cold. I’ll boil some more for you.” At three, he starts serving tea and water. At five, he starts helping her with the accounts. When he grows up, he sends everyone who tries to bully her straight to prison.
Whenever Tangbao cries, wild rabbits crash into the door. Whenever Tangbao smiles, ginseng falls from the mountains. When Tangbao points at an abandoned warehouse, it turns out to hold a missing supply of military provisions.
She wants Lu Zhen to behave himself, but the man hands over his paycheck, his savings book, and his heart.
Lu Zhen, in a low voice: “Wife, what do you even want from me?”
Jiang Yunshu, unapologetically: “I want you strong and healthy, with a steady paycheck.”
Jiang Yunshu had planned to live well using her space, but the spirit spring forces her to farm. She had planned to rely on the children in her old age, but the little villain pushes himself relentlessly. She had planned a marriage of convenience with Lu Zhen, but now the man keeps his eyes on her night after night.
Lu Zhen pins her down on the kang: “You flirt with me and then try to run?”
Jiang Yunshu blinks. “I was just testing your self-control.”
But when every clue points to the bloodstained farewell letter, everyone discovers that Lu Zhen’s comrade’s death, the Jiang family’s secret, and Jiang Yunshu’s mysterious space are all part of the same game.
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The heroine has no love brain at all. After being betrayed, she does not become internally frustrated or humble. She decisively cuts off bad relationships. The male protagonist is designed as a clear-minded, iron-blooded and dignified military commander. He is cold and distant from the outside world. He only gives all his tenderness and preference to the female protagonist. He supports and protects his wife throughout the whole process. The scumbag sister, scumbag man, and partial relatives come to look for trouble. He never allows the heroine to suffer any grievances, and he feels full of security. The slap-in-the-face plot is also very relaxing: the scheming step-sister thinks that she can sit back and relax after snatching away her rich fiancé, and she quarrels every day after marriage, making her life miserable; the scumbag man abandons the heroine and his family falls into ruin, and he returns to seek reconciliation in desperation, but he can only watch the heroine being held in the palm of his hand by the big boss, which is very satisfying to watch in a standard crematorium. It focuses on a sweet love after marriage, the heroine pursues a career, and the revenge of a scumbag are all in parallel. There is no aggrieved part, the three views are positive, the heroine is independent and self-reliant, and she can shine without relying on others. Abuse the scum, self-improvement + slap the white lotus in the face, a combination of refreshing and pure stress relief. Readers who like refreshing articles and military wedding articles should not miss it!