The Powerful Man Pins Her by the Waist and Coos: His Caged Songbird Can't Escape

When I first started writing, I suddenly wanted to write a mindless novel one night. The male protagonist is a profit-seeking and ruthless character, and the female protagonist is a soft little crybaby. I wanted to write a novel about a mindless pet, so I randomly named the protagonist. But after the outline was completed, I found that I didn't want to write that kind of story, so this novel came about. But when I was writing it, I was very confused. Should I write about a superior doting on a subordinate, and portray the heroine as a pet that can be admired/a disempowered person waiting to be rescued? Or should we write about love, the extreme tension between love and hate? I really struggled for a long time, but I still chose to respect the female protagonist's opinions and human rights. Even if she fell in love with the male protagonist while being forced to get along, she would not be with him. Because she is stubborn and smart, she will never forget her grievances. Even in the middle of writing (the male protagonist designed her and paved the way for her), I still felt that it should be, because I always feel that true love is equality, respect, and tolerance rather than bestowal (the word bestowal itself is condescending, although I know I should write that the male protagonist shows kindness to the female protagonist and charms the male protagonist). I almost wrote that I was with Bai Yueguang, haha. But I found that the heroine had a crush on the hero, and she liked him, which caused a lot of emotional fluctuations for him. This put me in trouble. Because the male protagonist has changed at this moment (he just wants to take the upper hand in his mouth and heart), he can let go of all hatred and just be with the female protagonist, but his character is twisted (his mother is depressed, his father forcefully lied to him for thirty-one years: his mother died because of the female protagonist's father), so the love he thinks is to catch the person he likes like his father. But precisely because of the heroine's power and subjectivity, he had to change his distorted possession. However, his sense of security all comes from control, so he silently controls without forcing, but the heroine is not a white rabbit. He still lost her. It seems that he is the one in power, but in fact he has already exposed his weaknesses for everyone to see, which is why his career was frustrated and he was shot. Because he has to atone for his sins, he has to almost die before he is qualified to be forgiven. Only then will I give him the key to the heroine's world and let the heroine consider him. Because my heroine is very good, she will live well even without the hero. Therefore, from the beginning to the end of this relationship, the hero must be in a subordinate position. He must sacrifice everything in his courtship, so that the heroine will seriously consider him. Because the heroine is not a love brain, but the hero is, he must be. When the male protagonist was growing up, his mother's painting in her studio was of the female protagonist's father. He hated this man to death and always stood in the middle of his family. Because the female protagonist looked like his father, his hatred for the female protagonist had long been rooted in his heart. But this hatred has long since dissipated, and even he himself doesn't know whether his early support was sincere. Because I only like gentle and pleasant men, I don't like the male protagonist, but I think his character is charming. He is not static. From the ruthlessness and revenge in the early stage to the various forbearance in the middle stage to the humble and low-tempered temptation in the later stage, I think his character changes are complete. When I was writing the heroine in the early stage, I felt aggrieved because I am super vindictive, but it fits the character very well, and being sweet and obedient is her survival strategy. I like the heroine very much in the middle and later stages. She is brave, resourceful, and strong. Even if she falls in love with the hero, she will divorce him resolutely, and she never gives up on her career from the beginning to the end. I like this kind of transformational character. I think only this kind of character can attract me. When I created the second female lead, I originally wanted her to be a tool, but I thought it was too illogical. How could someone as smart as the heroine have a heart to heart with such a person. So Su Miao was born, chivalrous and courageous, sober and rational, standing by the heroine's side throughout the whole process, and not falling in love with the prodigal son. Shen Yu, I like him very much. I really don't like the kind of facial expression characters, such as pretending to be a prodigal (talking a lot, but actually being clean). Before the age of 26, he just liked to tease others. He was very romantic, but he was not a scumbag. He was good to everyone. It is precisely because of the reputation that there is pride and prejudice. Shen Yu helps everyone as he should, including Su Miao and the male protagonist. He advised the male lead to help the second female lead, but this would make him a stranger inside and out. Precisely because of his reputation as a prodigal son, Su Miao was prejudiced against him, so he made amends by helping Su Miao (actually this was a kind of arrogance, because he felt guilty, so he should apologize instead of giving charity). He found that she was different from other girls and could not be coaxed, so he really became interested and curious, and that was why Shen Yu, who had not been in love for three years, was silently guarding her. In fact, my ideal type in this book is Si Bai, who is clean and gentle. In fact, I didn't want him to appear in the later stage (because Bai Yueguang's charm cannot be compared to him in person), but I want him to return because I think I wrote him a bit miserable, and I want him to have a A good ending, so I arranged for his return. I even wanted him to be with the heroine, but I think a pure person like him would mind if the heroine didn't love him. What he guards is his emotion as white as snow. I think there are many characters that I like in this book, because everyone has a complete story background and logic, but they are not the protagonist. This should be the last romance novel I will write.