After falling from a building while saving someone, Allen discovers that he has transmigrated to New York and become a rookie detective at his father's private detective agency.
Seeing an unfamiliar American president on the news leaves him bitterly disappointed, and more than a little nervous.
At least there’s no Tony Stark or Bruce Wayne here, just ordinary celebrities from a few TV shows.
Bestselling author Richard Castle, FBI consultant Neal Caffrey, NYPD consultant Sherlock Holmes...
Castle, White Collar, Elementary, and all sorts of TV dramas are mixed together, familiar yet strange.
Since everything has changed and nothing is what it used to be, there’s no easy way to get rich quick.
Still, a detective’s life spent finding lost things and missing people, investigating art, and taking on bounty cases, with the help of his memories of the plots, sounds pretty good.
But in private, Allen has another path to walk, one that only he knows about: a path of hunting down criminals.
His golden finger, the “Mark of the Erinyes,” grows stronger only when he personally hunts down the souls of sinners.
Fortunately, in America, where gangs and drug traffickers run rampant, they’re everywhere!
And those serial killers who keep popping up in the stories are a nice bonus, too.
Prison? Why bother? Send them to hell instead!
So if I ever tell you that you look familiar, you’d better watch out...
The material selection is very good, it is basically a suspense theme that is relatively "popular" in American dramas. I hope it can be written down completely. But there are some small problems First of all, the author's pace is too fast. As of Chapter 53 that I have read, several events in the three dramas have been advanced in the book. Secondly, this book gives people the feeling that there is no main line, because the semi-silent state of the plug-in is only triggered when the protagonist needs it. The overall feeling is that the protagonist is shopping on an open map, intervening here and there. Finally, my personal suggestion is to take into account your identity as a detective, strengthen cooperation with the police in the drama, and describe the case more. After all, if you are writing a "police" TV series like this, the case is the most attractive part.
I have read dozens of chapters. The subject matter is good and the writing style is decent. If I keep writing, I will be able to write at least 8 points or above in the future. One thing that gives me a headache is that there are too many characters appearing in the first few dozen chapters, or they are too dense. I often need to search the full text for the introduction of the first appearance. Maybe it is because foreign names are more complicated... Also, the main plot seems unclear? Or is it that the protagonist currently has no pressure or motivation? The kind of person who does things more casually. I didn't see any important foreshadowing or anything like that. I'm very curious about how the protagonist's route will be planned later.
So far so good, I look forward to the time when the police discover a killer secretly executing criminals.
I think Sara in The Detective is pretty good. It's rare to find a book about a good police detective, hey
I really like it. Very few people write about it. Keep up the good work.
The plot is quite interesting, and I feel like the main character is just about to shine, but it's a pity that not many people are watching it. It's no fun to get to the back. In the past, I still used space to deliver bullets to vital points. Now, when dealing with people, I just use space to take away the living people in places where I can't see them.
I've actually watched these American dramas ~ It's okay, come on
I like watching these American dramas very much. It's good. Someone finally wrote about it.
A very good American drama fan, a bit off-putting
Well written and quite interesting.