Starting as a Crow, Bigwigs from Myriad Worlds Vacation in Water Margin

Although there are not many updates, we can already see the clues of high-quality products. I think the most commendable feature of this novel is its "anti-routine". When Li Bai came to the world of Water Margin, he did not recite poems to fight against each other, but fought Wu Song for three hundred rounds; Cao Cao did not play tricks like the traitor people imagined, but cried bitterly in front of Pan Jinlian's throne; Li Si did not control the wind and rain in the Qin Palace, but experienced a fall from the peak to the bottom. Qin Shihuang did not show the majesty of the emperor through the ages, but was portrayed as a lonely giant; Lin Daiyu did not continue the tragic style, but uprooted the willow tree and drove Gao Yanei away; Liu Huaqiang was not stupid enough to grab Yang Zhi's knife like Niu Er, but directly incorporated Yang Zhi. Each unit breaks readers' expectations, and this constant "sense of surprise" is one of the most attractive qualities of the series.

The author is probably a woman, otherwise why is she so brilliant at portraying female characters? Lin Daiyu's unit is undoubtedly the highlight moment of female characters - Lin Daiyu has grown from a weak boudoir lady to a strong person who can take charge of her own role. Female characters such as Sun Erniang, Sister Gu... Also have their own shining points. In comparison, the female characters in units such as Crow, Li Bai, Cao Cao, Li Si, and Qin Shihuang have less roles. I hope to see more independent, strong, and independent female characters like Lin Daiyu in subsequent units. A great book worth reading.

The author is amazing! Classical masterpieces, historical figures, and film and television classics are all integrated into one, creating a world full of infinite possibilities. From the young and Dangerous Crow to the poet Li Bai, from the heroic Cao Cao to the Qin Shihuang, the first emperor of the ages, from Lin's sister Daiyu to the sword Li Yunlong - the addition of each character is not a simple "time travel", but has its own character logic and destiny trajectory. A wonderful chemical reaction with the Water Margin world. The story has exciting battle scenes, tear-jerking emotional moments, and hilarious humorous moments. This is a good work that can truly be enjoyed by both refined and popular people, with a mixture of sadness and joy. I've been watching it recently and I like it

In many Water Margin-themed works, 108 will often be reduced to a background, with only a few protagonists having roles. But "Water Margin Resort" managed to make every hero have a sense of existence. Whether it is Wu Song's fierceness, Lu Zhishen's boldness, Yan Qing's agility, Li Kui's honesty, Wu Yong's resourcefulness, Lin Chong's composure, Hua Rong's precision - the character traits of each hero have been fully demonstrated. Especially in the Guo Jianglong unit, 108 will be divided into 12 classes. Each class has its own characteristics and stories, and it is no longer a vague group. This skill of "group portrait creation" reflects the author's deep understanding and love for the original work of Water Margin.

The story is quite exciting, especially the achievements in characterization. Wu Wu has grown from a gangster who only knows how to kill to a "businessman" who knows how to think and cooperate; Li Bai has grown from a carefree poet to a knight willing to help his friends; Cao Cao has grown from a stereotyped villain to a complex figure with flesh and blood and a fragile side; Li Si has grown from a powerful prime minister to a tragic figure who reflects on life before his death; Qin Shihuang changed from a lofty emperor to a lonely ordinary person who longed for understanding; Lin Daiyu changed from a weak boudoir lady to a strong person who can stand alone; Liu Huaqiang changed from a ruthless rogue to a principled and organized hero; the growth arcs of these characters are clear and believable, allowing readers to grow and transform with them during the reading process.

If Lin Daiyu's story is "sad", then Li Yunlong's story is "burning". The author introduces the modern military training system into the world of Water Margin, turning 108 from a piece of loose sand into a powerful force of steel. There are endless laughs during the training process - Li Kui running circles, Lu Zhishen bombing the Zen staff, and Yan Qing standing in line and posing - making people laugh until their stomachs hurt. The descriptions of competitions and sieges are even more exciting, especially the scene where Li Kui holds a machine gun and shouts "I drive this road", which is both absurd and heroic. I can feel that the author really put a lot of thought into it, I really like it.

Crow's charlatanism, Li Bai's wildness, Cao Cao's depth, Li Si's machinations, Qin Shihuang's domineering, Lin Daiyu's tenderness, Li Yunlong's iron-bloodedness, each character has its own highlight moments and emotional core. Keep reading! The excitement continues!

I think Li Bai's section is the most chic in this book. Li Bai's arrival at Water Margin Resort is a very poetic thing in itself. The author did not turn Li Bai into a nerd who could only recite poems and write poems correctly, but gave him the character of a knight who could "kill one person in ten steps". The 300-round battle between him and Wu Song is one of the most exciting duels in the entire series.

I think Lin Daiyu's story is the most tear-jerking. The author makes great and clever use of the setting of "Crimson Pearl Immortal Grass repays debts with tears" in the original work of Red Mansions, transforming it into a tragedy about sacrifice and redemption. Lin Daiyu grows from a frail boudoir lady to a strong person who can communicate with plants and pull out willow trees to defeat bullies. This growth line itself is exciting enough. Jia Baoyu's appearance, recognition, and sacrifice of his life in the end pushed the emotion to a climax. Especially the ending - Lin Daiyu soars to heaven, Jia Baoyu dies on the snow, her last tear is held in the palm of her hand - this contrast of "getting everything you want, but losing the most precious person" is hard to let go of for a long time. Really good~

The most amazing thing about "Water Margin Resort" is that it can seamlessly switch between ancient and modern styles. Lin Daiyu's unit is a typical ancient tragedy, with elegant language and implicit emotions; Guo Jianglong's unit is a thoroughly modern war film style, with rough language and fast rhythm; the diversity of this style benefits from the author's proficiency in different types of literature. Readers will not feel fragmented, but will feel fresh and surprised because of this diversity.