Forced Love: the Dragon Queen's Stunning Prison Pet

When reading this book, all I can say is: the author understands it too well. The heroine's sense of oppression is not created by yelling. The calmer and gentler she is, the scarier she becomes. One moment, she was forcing the male protagonist to bow his head and admit his master, and the next moment, she was hugging him and coaxing him, saying that as long as he behaved, she would love him more than anyone else. I particularly appreciate her desire to be exclusive with the male protagonist: not allowing others to touch her, not allowing him to smile at others, not allowing him to remember his old love, and even trying to take away his name and past. The prettier, colder, and more unyielding the male protagonist is, the crazier she becomes. She wants to lock the most precious white sparrow into a nest and tame it slowly. Those who like forced love, a sense of domination, and a stunningly beautiful male protagonist who feels aggrieved and yet resists will probably like it more and more the more they watch it.

This is the most moving book. The plot of the last resort is written as a fateful entanglement. Xuan Sugui's possessiveness is almost pathological, but after she crushes everything, her paranoia of "wanting him to love her" makes people unable to hate her. The struggle and sinking of the character are particularly real, and the hatred is derived from it. They are dependent on each other, but are reluctant to let go even when they are ready to escape. This kind of psychological pull is too shocking. The empress is not simply sadistic, and the prison pet is not purely victimized. The two bite each other in the abyss and warm each other. It is both painful and enjoyable to read. I highly recommend it to readers who like the ultimate emotional pull.

Don't rush to sentence this pair to death. What the author is digging is not a grave, but a long, long road. Of course, I can't suddenly wipe off the immoral things that Xuan Sugui has done before, and then point at her and say: "Look, she is actually a good woman." She is not. She is an evil dragon, a madman, the kind of madman who takes away the people he likes and thinks the chains are not strong enough. Qi Cheran would not completely forget those bloody debts just because she was beautiful, hugged her occasionally, and gave her medicine. If it is written like this, the author probably lost his mind before he even fell in love with Xuan Sugui. They still have to worry about it later. Even Qi Cheran himself couldn't tell whether he was close because he liked her or was just a dependence left after being hurt for too long. Some are reluctant to give up, and can find a hundred reasons on their lips. Because of Ni Lin, because of dragon blood, because he owes her once, and because the accounts haven't been settled yet, there is absolutely no way he likes her anyway. Yes, absolutely impossible. At least that's what he thought. But everyone can rest assured that there is a chasing husband. Moreover, there is not a single step missing from the evil dragon's pursuit. It wasn't that Qi Cheran had been locked up for a long time and suddenly felt that the cage smelled so good that he accepted his fate and flew back. Xuan Sugui couldn't just say "you'll come back" and just stand there waiting for him to bow his head. She used to only know how to rob, lock, and burn everyone who stood in the way. But if you really want to win someone's heart, you can't rely on dragon flames and chains forever. She wanted to watch the bird whose wings she had broken fly again, to catch up, to pay the price, and to learn to face the most terrifying thing for the evil dragon for the first time - He could really leave her. Qi Cheran will also have his own name, an old friend he can't let go, a blood debt that will never be forgiven, and enough wings to fly anywhere. He can go. It's really possible to go. Only on that day will his turning back be called tame. But before that, Xuan Sugui had to chase him until he was willing to look back at her. Between them, one person has never completely transformed the other person into what he wants. Xuan Su's return will tear Qi Cheran's originally peaceful life apart, and Qi Cheran will in turn force her to understand that leaving a person's body behind does not count as getting him at all. Hatred will not disappear suddenly, and wounds will not be healed lightly. It's just that when the sea of ​​hatred reaches its deepest point, there may not be only hatred. Some feelings are just so wicked. On the one hand, he wants to strangle the other person to death, but on the other hand, he doesn't want to see the other person really die. One never lets go, but has to learn to chase. A person who once had no way to escape finally had to decide whether to look back after owning the entire sky.

This book made me angry and excited. Empress Xuan Sugui is a crazy person. She snatches away the cold and cold young master and locks him up, and destroys all his escape routes. But when you look at the back, you can feel her morbid possessiveness and vague stubbornness, which is actually quite poignant. Man, the male protagonist went from desperately resisting to slowly accepting his fate, and finally realized that he didn't want to escape. This process was very realistic and not fake at all. The abuse is really sad, but the sweetness is also really sweet. I hate it and love it at the same time. Anyway, I felt stuck in my heart for a long time after reading it, so I felt so strong. It's worth watching.

What I like the most is the look in the heroine's eyes that slowly sinks when she discovers that the hero has her own little thoughts. It's not jealousy or tantrum, it's the feeling of "it seems like I need to teach you again". When I saw this, I sat up straight. Male protagonist, please wish yourself well.

In the early stage, I wrote "Hen Hai Qing Tian" so well that I didn't even know which pair of CPs I was going to hit. Although it was said to be "He", I still don't know how "Hen Hai Qing Tian" will be rounded out in the follow-up. I have to say, it's super well written. [Like][Love]

The heroine doesn't want to get the male protagonist's body at all, she even wants to dig out the last hidden place in the male protagonist's heart. She doesn't accept that "when people are around you, your heart is elsewhere", and she must be the only one left inside and out. Oh my god, this kind of mental invasion is much more exciting than simple imprisonment.

After reading so many chapters, I can only say that the teacher's writing style is really contagious. The words bring a strong sense of picture. Whether it is a grand scene or a delicate moment, they are all very well depicted and can accurately capture my emotions. I was completely driven by the words while reading. The chapter that I remember most deeply is the chapter "Step on My Dead Body". It really made my breath rise and fall with the plot. Who knows this kind of immersive reading experience? It's so awesome! ! Can you come and see them all for me😍😍

Some scenes made my toes curl up. Was it embarrassing? A little bit. But when the male protagonist was forced to bow his head in front of everyone, I couldn't help but want to say: Yes, that's it, just be more cruel.

The heroine of I'm Tasty pinched the hero's chin and asked him to look at her words. That sense of control that I can't even look away from, it's so precise that I feel comfortable. The more nervous the male protagonist becomes, the more I want to see the female protagonist get closer.

4 Stars for the writing. The biggest problem with this book is that the character Yan Qingge should not have appeared. The comment section is full of CPs from those two things, but I can't see that Yan Qingge has paid much more than these two people. It's really sad that Yan Qingge ended up with this ending even though he tried his best to get the heroine out. Yan Qingge is the number one good woman in this book. Do you understand? (Yan Qingge: There are cows, there are cows, feed me peanuts)

Every time the heroine spoke, all I could think of was "Okay, I'll do whatever you want." She didn't need to get angry at all, any order was given with the kind of energy that she couldn't refuse. Who knows, the calmer the tone, the more I want to see the male protagonist be forced to do it by her.

I originally thought that the male protagonist was just beautiful, but it turned out that he was also very clear-headed. He was forced to look for the female protagonist's weaknesses secretly. The more I watched it, the more I liked it.

I read the parts where the male protagonist was bowed down by everyone and watched it several times. It was one thing to bully him in private, but it was another kind of stimulation to publicly let everyone know who was in charge of him. Ahhhhh, this feeling of shame and ownership are stacked together, it's really unbearable.

I particularly like the way the heroine deliberately makes the hero wait to be punished. The less she doesn't take action immediately, the less the hero knows what will happen in the next second. That kind of hanging fear is more torturous than direct punishment. The author is really good at tormenting people. My palms are sweating while watching and I can't stop.

I like this kind of setting where the male protagonist is untouchable and untouchable by others, but the female protagonist is so possessive that she loses control of herself.

Read Chapter 15. The heroine shows more of a crazy person and not much of a yandere. However, the author's writing skills are very strong and [praise] sad, but I don't feel uncomfortable when I read it. The heroine's illness is described very well, and the word "disease" is used accurately. A crazy person is not necessarily a yandere, and a yandere must be a crazy person. But the point is morbid love, I'm looking forward to seeing if I can write about yandere in the future, and write down the reasons why yandere is "sick"

Male protagonist, run away... Forget it, don't really run away. I also want to see how the female protagonist goes crazy after catching up. It's really interesting.

I actually felt sorry for the male protagonist, and at the same time expected the female protagonist to continue bullying him... It's over, this book has completely eaten away my sense of morality.

Help, the heroine is so crazy! While driving the male protagonist until he is about to break, he feels that he is the only one in the world who loves him the most. This kind of yandere is too righteous.

The colder and more stubborn the male protagonist is, the more the female protagonist wants to lock him into her arms. This feeling of extreme pulling is so exciting!

Very beautiful and very enjoyable! Read it in one sitting! [Blowing kiss]

Who knows the humiliating feeling that the male protagonist feels when he is forced to change his title and has to say it out loud? It is only two words, but it is more lethal than a beating, because it means that he personally admits his inferiority.

I really like the heroine's logic of "you can hate me, but you can't leave me." She doesn't care at all whether the male protagonist loves him now or not, she only cares that the person who stays with him in the end must be herself. Ahhhh, this kind of feeling that doesn't ask for response, just wants possession, makes me crazy and numb.

What struck me the most about this book was the moment when the male protagonist subconsciously leaned into the female protagonist's arms after being bullied. It was obvious that she was the one who made him love, but she was the only one who could coax him in the end. It was so twisted, but it was ridiculously sweet. It's over. Now I just want to see him being completely spoiled and controlled by the female protagonist.

Seeing that the people around me were jealous of the male protagonist and didn't dare to touch him, I actually felt so good, because he was the treasure that the heroine snatched back in person!

The author understands so well. The unique hatred of the East Asians is very impressive and very beautiful.

What I like the most is the heroine. She has not been whitewashed at all. She is just crazy and unreasonable. The evil female control finally gets a real meal.

It's nice to watch. Although it was quite annoying in the early stage, it has calmed down a lot in the later stage. [Blow a kiss] [Blow a kiss] Still highly recommended.

Who knows the lethality of the heroine coaxing the hero to call her master in a low voice, the Queen Control immediately disappeared when she saw this.