I Gave the Protagonist to the Transmigrator, and the World Fell Apart

It has a sad air about Japanese movies. I haven't watched it for so long that I feel sick to my stomach. But please don't overdo it with the relationship between the protagonist and other characters. You can have sex, but you can't become a savior who forgives everything like a holy mother. I'll leave a follow-up review later.

Compared with other articles of the same type, it has a psychological journey and is not so violent. In Persimmon, it is to the extent that people can follow it to the end. The logic of the plot is normal, there won't be too many narrow escapes from death, and some characters will be written to death, which is acceptable. It's just that people can watch it, but Wang is still too patient. He said before that the boss was cautious, and even though he was overwhelmed by strength and had a successful sneak attack, he was able to let him go. He said that he was cautious and didn't chase him, but he didn't even send anyone to chase him. It feels like it's just to force a continuation of the plot.

It's very good, but the original protagonist's failure to defeat the final boss is most likely due to too little time for training (it requires building bonds and coordinating the previous relationship between the two countries). Now the protagonist can level up alone to show the strength and values ​​he should have.

I think it's okay. It's not the kind of formulaic article where you know the ending after reading the beginning. The writing style is good, but I don't know how the author will write it later. I finished reading it in one sitting 🤔 I feel like this is a type of protagonist that is rarely seen in Tomato. The plot is also innovative. It is food for the book shortage, but it is a bit lacking.

I was scared to tears by the numerical monsters and talent monsters, and now when the final boss comes, I will be whipped like a top.

Why did you get raped by Shen He? [What]

The writing is pretty good, the literary style is very good, and there is no fluff. I am looking forward to a breaking point. The protagonist confesses to Wang that he is also a time traveler, but he doesn't want to be a savior because he is afraid that he will not look good. You know the original work so well, so I let you be the savior.

Good book, because the butterfly effect caused by the interference of another time traveler leads to progress that is inconsistent with the original work, which in turn affects the destruction of the original protagonist's group. Even if a small number of people know that his information is inconsistent with common sense, they can only go with it. The protagonist has a ceiling in combat power at the beginning, and he is also a time traveler. However, he is different from the urgency of other protagonists. He is lying flat, does not fight or grab, is very open-minded, and has no obsession with saving the world.

Everyone who embarks on the journey of salvation has his own obsession. Don't replace any savior easily. The life of any savior is difficult for a mortal to take on. Unless, of course, you're really awesome.

It's a very good book. Why are there so few people? The main character has finished a week and now he just wants to be his ordinary self. It's so boring. He just wants to be his ordinary self, but he seems to have lost some emotions.