"Family, watch out! I'm going to jump off the cliff now!"
I stood on the edge of a cliff, the strong wind filled my sweatshirt, and the barrage in the mobile live broadcast room had exploded——
? ? ? Is the anchor crazy?
Which mountain is this? The scenery is nice.
[Don't worry about the scenery in front, she really wants to jump! ! !
"Don't worry." I grinned and pointed the camera at the vast sea of clouds at the bottom of the cliff. "In three seconds, a swordsman in white will fly up to catch me. Do you want to bet? If you lose the bet, I will stand on my head to wash my hair."
The barrage instantly refreshed the screen——
Bet! I bet a hundred rockets!
[Impossible, this is absolutely impossible. Where did the swordsman come from in this barren mountain?
[Has the anchor read too many scripts?
I took a deep breath and counted down: "Three, two, one -"
Take a leap!
The wind howled, and the feeling of weightlessness gripped my heart. I could even see the barrage soaring upward like crazy——
Reader comments
The characters are flesh and blood.
Sun Wukong's loneliness, Zhu Wuneng's cowardice and sincerity, and Sha Wujing's guilt, each of the three apprentices can stand upright. What moved me the most was the part about the little white dragon - a real dragon was stripped of its scales, had its horns cut off and forced into a mortal horse. He could only cry silently. That scene was so...
There is also the line between Uncle He and Cuihua, and the scene where Uncle He recognizes Cuihua, who has been missing for many years, deep in the beast's den. No adjectives are needed. As soon as the word "Cuihua" came out, my eyes became hot. The author handles emotions very restrainedly and is not sensational, but he can still poke people.
This is a work that is wrapped in a book shell but is extremely serious at its core. It started from the "feeling of fun online writing" and gradually moved into the deep waters of identity recognition, civilization memory, power ethics and historical cycles. The first sixty-seven chapters complete a complete three-stage transition: from individual adventure, to group redemption, and then to institutional reconstruction. Ma Ziyue's growth arc is clear and solid, with every step paved and every fall rebounded. Disadvantages:
The pace of the Orc chapter is slightly flatter than the previous one, and it lacks an explosive chapter like Shituoling.
The implementation process of some policies is too fast and lacks sufficient description of resistance. -------------I don't know if the focus of the writing is not here, but the sentence ["When did my heavenly country turn into a desolate land of Bashan Chushui? It's really a shame to throw it into my grandma's house."] Makes me suspect that the author's ambition is not those small policies, but the currently popular Internet "This dragon scale was once
Falling to the ground like broken ice
One scale and one inch of heart
I can't bear to hear the story."
The rhythm is very refreshing, the emotions are delicate, the three views are exploded, and it is eclectic. If I were to comment, it would be: this is the only one, there is no other semicolon!
The sense of immersion is so strong, seconds➕
This is a book that cannot be read without thinking!
The characters are flesh and blood. Sun Wukong's loneliness, Zhu Wuneng's cowardice and sincerity, and Sha Wujing's guilt, each of the three apprentices can stand upright. What moved me the most was the part about the little white dragon - a real dragon was stripped of its scales, had its horns cut off and forced into a mortal horse. He could only cry silently. That scene was so... There is also the line between Uncle He and Cuihua, and the scene where Uncle He recognizes Cuihua, who has been missing for many years, deep in the beast's den. No adjectives are needed. As soon as the word "Cuihua" came out, my eyes became hot. The author handles emotions very restrainedly and is not sensational, but he can still poke people. This is a work that is wrapped in a book shell but is extremely serious at its core. It started from the "feeling of fun online writing" and gradually moved into the deep waters of identity recognition, civilization memory, power ethics and historical cycles. The first sixty-seven chapters complete a complete three-stage transition: from individual adventure, to group redemption, and then to institutional reconstruction. Ma Ziyue's growth arc is clear and solid, with every step paved and every fall rebounded. Disadvantages: The pace of the Orc chapter is slightly flatter than the previous one, and it lacks an explosive chapter like Shituoling. The implementation process of some policies is too fast and lacks sufficient description of resistance. -------------I don't know if the focus of the writing is not here, but the sentence ["When did my heavenly country turn into a desolate land of Bashan Chushui? It's really a shame to throw it into my grandma's house."] Makes me suspect that the author's ambition is not those small policies, but the currently popular Internet "This dragon scale was once Falling to the ground like broken ice One scale and one inch of heart I can't bear to hear the story."
The rhythm is very refreshing, the emotions are delicate, the three views are exploded, and it is eclectic. If I were to comment, it would be: this is the only one, there is no other semicolon!
The sense of immersion is so strong, seconds➕ This is a book that cannot be read without thinking!