I transmigrated to Hong Kong Island in 1985 and became a low-level production assistant at Shaw Brothers, the sort of person Fang Yihua looked down on and who quit in a fit of anger.
Fang Yihua tossed my script into the trash and called me an idiot.
I turned around and made A Better Tomorrow, breaking Hong Kong Island's box office record. Then I made God of Gamblers and hit another new high.
The three industry giants thought I was just a newcomer who'd gotten lucky.
Right under their noses, I founded Starlight Pictures and signed Chow Yun-fat, Stephen Chow, and Ng Man-tat. Then, while they remained completely unaware, I quietly bought up cinemas one by one, from Sham Shui Po to Yuen Long.
By the time they caught on, I already had my own theater chain.
You think that's all?
I'll also take seventy million in capital, leverage it tenfold, and storm the futures market. In a month, I'll turn it into seven billion and set my sights on Chinese Estates.
They thought I was here to claim a slice of the pie.
That's fine.
When I've filled Hong Kong Island with my theaters and turned the stock market upside down, they'll understand:
I'm here to flip the table.
You must keep writing, it's really beautiful
Keep writing, it's better than many brainless Hong Kong and Taiwan novels
Very nice, please update soon.
After listening to it, it's not bad. I can definitely say that the author is not a newcomer. From the writing style, plot, etc., It can be seen that it is written by an experienced author.
Not bad. Come on and update and support you. Please support the author. Come on and update.
Little woman's spring
Looks good, looks good, come on, come on
Well written and quite beautiful
The frame is very good, looking forward to using it
Well written, please keep up the good work.