The social animal Jiang An died suddenly while working overtime and transformed into the ugliest unicorn in Equestria.
Others rely on magic and force to travel through time, but he relies on abstraction!
Nightmare Moon wants to destroy the world?
Jiang An forced 55 to open and Luna couldn't get rid of it.
Tirek wants to absorb magic?
Jiang An pulled out a bunch of tricks to make the other party suspicious of Ma Sheng.
——Abstract origin system, as long as you are crazy enough, you are invincible.
Until one day, the system reminded him:
[Host, side effects are about to occur. If you no longer use anchor points, you will become the second disorder.
Jiang An looked at the gentle Xiaodie beside him, and then at the poisonous dark blue Pegasus next to him.
... Wait a minute, why is the hard anchor a courier? !
Single heroine
This is my first novel. If there are any bad things, please forgive me.
Reader comments
The writing method is extremely interesting, as is the dialogue method, which is relatively simple and blank, and the narrative has a calm feeling that allows the characters to maintain the tendency of blank space that combines characteristics and similarities, which is pleasant and very cute.
In terms of story, except for the middle part and some specific aspects that seem to be slightly awkward blank spaces (the language structure and the narrative method begin to conflict), it is very smooth (it has become relatively mature and stable by the end).
In terms of the main characters, it is pretty good and relaxed; but in terms of special personality, it is a bit insufficient. In terms of repetition, which is a common writing problem for everyone, this is actually not a big problem. The problem is that I really don't know what to do and leave blank spaces.
The description has always been relatively restrained in this aspect. In fact, it is okay and passable. It is the performance in the relationship between the key role (all important roles) and the male protagonist, especially the other female protagonist. It is indeed written and written between them, but there will always be a sudden realization that something is wrong. Feeling too light? This is also the reason why I think it is more restrained. Maybe it is also the reason for the author's characteristics?
Of course, the problem is not too much sin or pressure, it's just a not fatal way of writing, which is generally good.
Also, Jiang An is very comfortable.
The writing method is extremely interesting, as is the dialogue method, which is relatively simple and blank, and the narrative has a calm feeling that allows the characters to maintain the tendency of blank space that combines characteristics and similarities, which is pleasant and very cute. In terms of story, except for the middle part and some specific aspects that seem to be slightly awkward blank spaces (the language structure and the narrative method begin to conflict), it is very smooth (it has become relatively mature and stable by the end). In terms of the main characters, it is pretty good and relaxed; but in terms of special personality, it is a bit insufficient. In terms of repetition, which is a common writing problem for everyone, this is actually not a big problem. The problem is that I really don't know what to do and leave blank spaces. The description has always been relatively restrained in this aspect. In fact, it is okay and passable. It is the performance in the relationship between the key role (all important roles) and the male protagonist, especially the other female protagonist. It is indeed written and written between them, but there will always be a sudden realization that something is wrong. Feeling too light? This is also the reason why I think it is more restrained. Maybe it is also the reason for the author's characteristics? Of course, the problem is not too much sin or pressure, it's just a not fatal way of writing, which is generally good. Also, Jiang An is very comfortable.