The moment he read the book, Chi Anyian saw Ji Yanan's tragic fate.
The peerless academic god was sincere and paranoid throughout his life, and he gave everything he had for the heroine. In the end, he ended up in jail and bankrupt, died in a plane crash, and lost his loved ones. He was left in a muddy life with no one to redeem him.
In order to rewrite this unsolvable tragedy, Chi Anyian came one month before the tragedy began.
He is Ji Yanan's deskmate and the male protagonist's nominal brother-in-law. He holds the advantage just to protect this young man who was crushed by fate.
In this life, stay away from the gentle trap of false love and cut off all malice and calculations. Everyone in the world failed him, but I was the only one who got him out of the abyss.
Reader comments
If it looks good, can you leave a comment? If it doesn't look good, can you leave a comment? I will modify it appropriately.
Writing style
The author is very good at writing inner dramas. His writing is soft and restrained, and he does not pile up flowery rhetoric. He is used to describing the character's self-doubt, struggle and tangled psychological flow in large pages. He has a strong sense of emotional atmosphere and can convey the character's heavy and powerless state of mind. The text reads smoothly, without any trace of stiff and awkward writing.
Conceive ideas
The theme is about changing one's life by wearing a book, but the idea does not stop at the simple slap in the face and the feeling of counterattack. It can be seen from the introduction that the core is to fight against the tragic ending that has been written to death, and the two people support each other for redemption. This entry point itself is very tense. It can be seen that the author does not want to write an assembly line routine, but is building the whole story along the long line of character bonding and fighting fate.
Rhythm concept
It can be seen that the author is willing to calm down and foreshadow the emotions, and is not in a hurry to catch up with the progress of the plot. He is willing to leave pen and ink to describe the psychological changes of the characters and slowly build up tension. The general framework of a long-term story should be set up in advance, and it is not written casually.
It's just that the psychological description is quite long, so it is recommended that a long inner monologue can be broken up and interspersed with subtle facial expressions and small body movements to bring out part of the emotion through movements. Instead of relying entirely on words to directly express the heart, alternating tightness and tightness will make the rhythm of writing more flexible. When switching scenes, add a little transition of environment and small movement details, and the text will have a better sense of layering.
If it looks good, can you leave a comment? If it doesn't look good, can you leave a comment? I will modify it appropriately.
Writing style The author is very good at writing inner dramas. His writing is soft and restrained, and he does not pile up flowery rhetoric. He is used to describing the character's self-doubt, struggle and tangled psychological flow in large pages. He has a strong sense of emotional atmosphere and can convey the character's heavy and powerless state of mind. The text reads smoothly, without any trace of stiff and awkward writing. Conceive ideas The theme is about changing one's life by wearing a book, but the idea does not stop at the simple slap in the face and the feeling of counterattack. It can be seen from the introduction that the core is to fight against the tragic ending that has been written to death, and the two people support each other for redemption. This entry point itself is very tense. It can be seen that the author does not want to write an assembly line routine, but is building the whole story along the long line of character bonding and fighting fate. Rhythm concept It can be seen that the author is willing to calm down and foreshadow the emotions, and is not in a hurry to catch up with the progress of the plot. He is willing to leave pen and ink to describe the psychological changes of the characters and slowly build up tension. The general framework of a long-term story should be set up in advance, and it is not written casually. It's just that the psychological description is quite long, so it is recommended that a long inner monologue can be broken up and interspersed with subtle facial expressions and small body movements to bring out part of the emotion through movements. Instead of relying entirely on words to directly express the heart, alternating tightness and tightness will make the rhythm of writing more flexible. When switching scenes, add a little transition of environment and small movement details, and the text will have a better sense of layering.