Jin Changan: On the wedding night, the prince died
Reader comments
The beginning is high-energy - the groom dies on the wedding bed on the night of the wedding, and the hairpin belongs to the heroine. The memory loss, the corpse moving, the two princes in the same frame, the layers are reversed like peeling an onion. Each time you peel off a layer, you think you are getting closer to the truth, only to find that there is another layer underneath. The most amazing thing is the design of "puppet" and "memory tampering", which brings new ideas to the suspense of intrigue and identity dislocation. The heroine goes from passively taking the blame to taking the initiative to break the situation, and finally discovers that she is the one who is most manipulated. This kind of "you think you are chasing the truth, but the truth is chasing you" reading experience is very good. The writing style is compact and the hooks are dense, making it suitable for reading in one sitting. A must-read for fans of ancient Chinese suspense.
The beginning is high-energy - the groom dies on the wedding bed on the night of the wedding, and the hairpin belongs to the heroine. The memory loss, the corpse moving, the two princes in the same frame, the layers are reversed like peeling an onion. Each time you peel off a layer, you think you are getting closer to the truth, only to find that there is another layer underneath. The most amazing thing is the design of "puppet" and "memory tampering", which brings new ideas to the suspense of intrigue and identity dislocation. The heroine goes from passively taking the blame to taking the initiative to break the situation, and finally discovers that she is the one who is most manipulated. This kind of "you think you are chasing the truth, but the truth is chasing you" reading experience is very good. The writing style is compact and the hooks are dense, making it suitable for reading in one sitting. A must-read for fans of ancient Chinese suspense.