Su Wan, a modern talk show actor, accidentally slipped into the palace-fighting and abuse story that he complained about, and became the villain of the book, Emperor Xiao Yu, who "cannot love her and turns black because of her", the young white moonlight - the talented Su Wan. In the original plot, she would be framed and died tragically within three chapters, becoming the trigger for Xiao Yu to massacre the harem and pursue a crazy career. In order to save her life, she was bound to a strange system called "You can't live but you can't die": the system required her to strictly play the role of Bai Yueguang, who is weak, uncontested, deeply affectionate and unrepentant, and push the plot towards the original sadistic ending; but her personal survival instinct requires that she must live. As a result, Su Wan embarked on a funny journey of survival: "The system wants me to die, but I want to be so promiscuous that I can fly." She used cross talk to deal with the court ladies' gossiping, used talk show jokes to resolve the concubines' frame-up, and even turned the imperial garden into a "palace complaining conference". Her inappropriate "gags" and "sexy moves" always unexpectedly broke the situation at critical moments, and by accident, the emperor Xiao Yu, who was supposed to have a "love-hate relationship" with her, and the emperors (same soul) who were reincarnated in two subsequent lives, had a strong interest in her again and again "Why doesn't this woman follow the script?", From the initial "want to strangle" to "want to hold her in the palm of my hand". In the daily palace battles full of laughter, the hidden thread of the three lives and three lives gradually emerges - it turns out that she is not only Bai Yueguang in this life, but also the destined person who transcends three reincarnations and must be retrieved even if he loses his memory. In the end, Su Wan not only gained true love in her funny survival, but also revealed a huge conspiracy that spanned three generations deep in the palace, and rewrote the tragic fate of everyone (including the system) with laughter.
