In Ancient Romance, the Identities of the Male and Female Protagonists Are Very Noble.
In ancient romance, the identities of the male and female protagonists are very noble. The male protagonist particularly dotes on the female protagonist. The heroine also loves the hero. It is best if the heroine is a general, or a princess, or a legitimate daughter. The male protagonist is a prince, a prince. Or a regent.
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It is a rare ancient saying that is not suspended in the air. It contains both backyard calculations and daily business life in Jiangnan. The details of traveling, healing, and exploring a haunted house are very realistic. The heroine is based on ancient times with modern business thinking. Revenge, career, and maneuvering are all advanced simultaneously. The length is moderate and does not drag on. There is no exaggerated golden finger, all the comebacks are based on the heroine's own mind. If you like the heroine novel, you can read it.
It is rare for ancient Chinese sayings to have a realistic rhythm and no floating golden fingers. The heroine Shen Yuanhua has been plotted by people close to her in her two lives, but she has never been weak and compromised. She knows how to plan and balance when things happen, and her method of handling crises is in line with her background as an investment banker. The loyal servant Qinghe is loyal and pure, the mysterious young man Ayan is both good and evil, and the characters are three-dimensional. The daily details such as house fights, rushing on the road, and adventure scenes are real, and the reading feels very immersive.
Not bad, not bad, pretty good-looking, the heroine is very strong [Sending my heart]