BL GL (cp description may be less)
Group portrait (in volume 2)
Light unlimited streaming
Attention! This article may contain the following content:
Extrahuman elements (alien/tentacles/orcs/subhumans/canned food) horror mental pollution
Description of some bloody scenes
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Thirty years ago, an unprecedented disaster tore this land apart like powder. Perhaps due to the overuse of internal entropy - the emotion possessed by the conscious body - or perhaps due to other people's intentional actions, there is only one widely circulated name among the broken settlements today: "Entropy Disaster".
Thirty years have passed, orcs (a sub-human race with some animal characteristics), humans and non-biological consciousness (consciousness that awakens personal consciousness from matter that has generated vitality due to the accumulation of internal entropy over the years) have been working hard to reorganize the social order. This is very difficult - because the entropic disaster not only brings world-level destruction, but also brings countless scars that are difficult to heal: domain.
In order to contact various blocks, some consciousness bodies (collectively referred to as humans, orcs and non-biological consciousness bodies) have chosen to become "messengers", while delivering information and supplies... They also try to heal the scars that divide the world.
The story of the messengers begins here.
Reader comments
It still feels a bit like trying to compose new words. The first unit of the drama is actually a good start. The mailbox, envelope, and door have a relatively good connection: the mailbox accepts the envelope, and the envelope, carrying the emotions and words, flies to each door, and the door catches each letter and puts it into the mailbox. But describing the pain in the mailbox seems a bit cumbersome - because there are too many repetitions. It just describes how it hurts and why it hurts, but fails to describe what pain is.
It still feels a bit like trying to compose new words. The first unit of the drama is actually a good start. The mailbox, envelope, and door have a relatively good connection: the mailbox accepts the envelope, and the envelope, carrying the emotions and words, flies to each door, and the door catches each letter and puts it into the mailbox. But describing the pain in the mailbox seems a bit cumbersome - because there are too many repetitions. It just describes how it hurts and why it hurts, but fails to describe what pain is.