Just rated [Quick transmigration + nonhuman heroine + sweet romance + 1v1 + switches personas to win over the male lead + goofy comedy + not an all-powerful heroine]
(Heads-up!! The heroine is a newcomer to quick transmigration. Don't expect her to start out instantly winning every battle and carrying the male lead. Readers, decide for yourselves if this is for you~)
Su Yi is bound to an unreliable System that keeps sending her into the bodies of other creatures. It just won't let her be human.
But something's strange... Why are these protagonists so obsessed with her when she's not even human?
Please, protagonist squad, just leave me alone...
"World One" A gentle CEO and his adorable little goldfish
"World Two" A ghost girl and her childhood friend, a Taoist exorcist, spend their days getting into all sorts of ghostly shenanigans
"World Three" She transmigrates into a mirror and discovers the abstinent doctor is a narcissist
"World Four" A video game character saves a withdrawn boy
"World Five" A werewolf good boy and a vampire queen bound by a sea of hatred
"World Six" An incompletely mutated zombie is purified by a Peashooter
"World Seven" She really doesn't want to transmigrate into the school bully's right hand!
"World Eight" A mermaid kidnaps a fallen prince to raise as her child groom
I'll add more when I get inspired. (Writing while coughing up blood. I hope the numbers pick up. I want to write a million words!)
Blessed are those who still like to torture women. It's okay for the heroine to be injured, it's okay to be wronged, it's okay to die, it's okay to be hurt, but the author's male baby must not be hurt.
Blessed are those who love to read dog-licking articles, those who love to sacrifice for their male gods, and those who love to hit big walls for their male gods. Readers are also in great luck.
The heroine keeps getting hurt. Either injured or on the way to injury. He is just a tool to save the male protagonist.
The subject matter is good, the writing is good, but the reader is treated as a fool, and the old routine is used to create one if there is no difficulty. The male protagonist is never there when something happens, and it has to be at the critical moment when the female protagonist is desperately trying to get injured. The female protagonist is either injured or on the way to injury (including the male protagonist's fault, and then only describes the guilt, and the female protagonist feels distressed). The main character is a knife-blocking master who protects the male protagonist. I really feel that a good hand has been smashed 🤦 It's not easy for the author to give 3 stars for his writing.
Why do I always forget to read the reviews before reading a book...
She thinks about the male protagonist, feels aggrieved for the male protagonist's injury, looks at the male protagonist infatuated with his figure... In short, others say they are grateful to her for her kindness, but the female protagonist only cares about the male protagonist. No matter what it becomes, she will be obsessed with it first.
Is it because I don't understand the word "heartthrob" anymore, or has the word "heartthrob" changed now?
You are not a heartthrob, you have to pay a lot to be liked by others. Moreover, the heroine's life is always in danger when she completes the task.
The heroine will be forcibly dragged by the system to block damage to the target.
Since when did a story about female abuse have the label of a heartthrob? . .