Lu Jin, an urban migrant worker, woke up from his dream in Dry River.
Dragon slough patterns appeared on his right hand, and he could hear the breath of the earth from then on - and was involved in a dark guardianship that spanned a thousand years.
Broken bridges and ground cracks, Sanxingdui deep pits, Mianyang containers, Alpine seals... Some people used twenty years to lay out the killing plan, while others used five years to lock the old order.
When he finally tore off all the pretense of the Round Table, the face deep in the ruins was very close.
The old order is shattered and a new one is born. He walked from the Broken Bridge to Iceland and used his body as a bridge to press down the cracks in the earth's veins on the entire continent with double copper.
The two coppers return to one, and the dragon sheds completely.
The top of the round table would land in Iceland within three days, and he stood in the wind on the west coast, waiting for them to come.
The dry river is not dry, but the road ahead is open - it is the end of the old era and the beginning of the new era.
Reader comments
I failed twice and deleted all the old manuscripts in one fell swoop. With a lot of unwillingness, I returned to Tomato to write again.
The memory of being repeatedly ordered to rewrite my compositions by my Chinese teacher when I was young is still clear. Now I finally understand that repeated overthrows and repeated attempts are never failures, but rather the stubbornness of a young man who refuses to give in.
Get rid of impetuosity, settle down the state of mind, use the dry river as a guide, use the loach as a bond, and write a story about the transformation of a dormant person who goes against the will of heaven.
This time, I don't want to be earth-shattering, I just want to write without regrets, win the approval of editors, resonate with readers, and live up to myself who always refuses to admit defeat.
All undercurrent layouts and artificial chess games are original ideas. They are only embellished with tools and not written in routines.
From the long-term outline, the three-line foreshadowing to the character arcs, this book is an original effort that has been repeatedly polished, just to tell the story of a small character who awakens himself, is unwilling to sink, and struggles against the odds to break the situation.
The subject matter is novel and I have never seen anything similar. The writing is good, but a little short. Good work, author!
I failed twice and deleted all the old manuscripts in one fell swoop. With a lot of unwillingness, I returned to Tomato to write again. The memory of being repeatedly ordered to rewrite my compositions by my Chinese teacher when I was young is still clear. Now I finally understand that repeated overthrows and repeated attempts are never failures, but rather the stubbornness of a young man who refuses to give in. Get rid of impetuosity, settle down the state of mind, use the dry river as a guide, use the loach as a bond, and write a story about the transformation of a dormant person who goes against the will of heaven. This time, I don't want to be earth-shattering, I just want to write without regrets, win the approval of editors, resonate with readers, and live up to myself who always refuses to admit defeat. All undercurrent layouts and artificial chess games are original ideas. They are only embellished with tools and not written in routines. From the long-term outline, the three-line foreshadowing to the character arcs, this book is an original effort that has been repeatedly polished, just to tell the story of a small character who awakens himself, is unwilling to sink, and struggles against the odds to break the situation.
The subject matter is novel and I have never seen anything similar. The writing is good, but a little short. Good work, author!