[A delicate flower in public, a god of slaughter in private * the strongest, pure-hatred, devoted dog]
[Not your typical story set in a bygone era. The heroine is willful, haughty, and commitment-averse.]
Ming Yao, a powerful figure in the apocalypse, transmigrates into the body of a pampered young capitalist lady in the 1970s.
The good news: Her hoarded supplies, worth hundreds of millions, are all still there.
The bad news: To use them, she has to act like a pampered young heiress from a capitalist family.
In this era, that could get her killed!
She’s Ming Yao, the woman who can smash a zombie’s head with one punch.
The System wants to bind her to some weak, overconfident man and make her a helpless vine clinging to a tree?
No way. She’ll pick her own man.
She chooses a rugged man who looks like he could kill her with one punch. Only after they’re bound does she learn that this powerful man will become her pure-hatred pairing.
Ming Yao has no choice but to change tactics.
A couple who hate each other? Turning that hatred into love isn’t so bad!
In public, Ming Yao is a capitalist heiress who even looks down on muddy country roads.
In private, she bounds over hills and ridges in the countryside, as nimble and carefree as a monkey. She catches human traffickers and spies, and quietly sabotages her rivals.
She thinks her spoiled, domineering ways must have made the tall, rugged man hate her guts.
But she never imagined that every move she made, every glance and smile, would leave him flustered.
He helps her with the work outside by day, then sneaks into her room to keep going at night!
In the end, their pure-hatred pairing becomes a mess of racing hearts and flustered defenses. He wishes he could give her even his life.
“I’ve given you everything. What more do you want?”
Ming Yao smiled sweetly. “How about giving me a lifetime of being my dog?”
The heroine obviously has the value of force, but the author insists on forcing her to take care of her tenderly in front of the hero, otherwise she will be electrocuted, which is a shame. Moreover, during the ambiguous period between the hero and the heroine, the hero bumped into a female counterpart and helped the heroine. The heroine saw from the perspective of the heroine that the heroine bumped into the hero's arms, and left without questioning. The hero did not explain, and one after another vicious female characters liked the hero, which made people feel aggrieved.