[Era + Shuang Jie + Wearing Books + Making a Fortune + Family Affair + Setting Up a Stall]
When she woke up, she inexplicably became the cannon fodder sister-in-law of the heroine of a period novel. Qiao Yuyu felt that the sky was falling.
It only took one day for her to go from collapse to acceptance. Because of the hard life and the extreme jumping of grasshoppers, she suddenly turned a salty fish boy who lay flat every day into a hard-working and money-making expert.
As the third eldest child in the family, Lu Zhinan has known that he has plans for himself since he was a child. He must get what he wants. Only by taking initiative can he have a future, and only then can he have the warmth and lasting love of getting along well.
See how the two of them went from being strangers to becoming close to each other, focusing on ordinary life.
Reader comments
Very stunning. The love between the male and female protagonists that comes naturally and flows slowly is very touching. The characters and charisma of the male and female protagonists are also very touching. And the "son" of the hero and heroine is a really interesting person. He is an interesting soul and plays a funny role. There is nothing to feel frustrated about, and the careers of the male and female protagonists are also going smoothly. The micro-group portrait, the idea of valuing girls over boys is also very novel. Parents who are partial to others must still [eat melon][like]
There could be less "literary youth" descriptions, and I understand the atmosphere of gradual love between the male and female protagonists that the author wants to express, but it is not enough. Don't give a full literary and artistic analysis of love every time the male and female protagonists have some small interactions. Also, please stop writing gossip, especially about women (I didn't think it was a big deal in the early stage until Xin appeared), especially the newly updated story about the father-in-law and daughter-in-law picking up the ashes, which made me feel a little uncomfortable. The logic doesn't make sense, okay? Why are both the new and old daughter-in-law doing this? I was disgusted with that Xin, in large part because she was so unabashed about the male protagonist. But I don't understand what the point of shaping her is, specifically to disgust readers? Make the heroine jealous? Let the heroine hear some gossip? Stop gossiping, enough gossiping, okay?
Very stunning. The love between the male and female protagonists that comes naturally and flows slowly is very touching. The characters and charisma of the male and female protagonists are also very touching. And the "son" of the hero and heroine is a really interesting person. He is an interesting soul and plays a funny role. There is nothing to feel frustrated about, and the careers of the male and female protagonists are also going smoothly. The micro-group portrait, the idea of valuing girls over boys is also very novel. Parents who are partial to others must still [eat melon][like] There could be less "literary youth" descriptions, and I understand the atmosphere of gradual love between the male and female protagonists that the author wants to express, but it is not enough. Don't give a full literary and artistic analysis of love every time the male and female protagonists have some small interactions. Also, please stop writing gossip, especially about women (I didn't think it was a big deal in the early stage until Xin appeared), especially the newly updated story about the father-in-law and daughter-in-law picking up the ashes, which made me feel a little uncomfortable. The logic doesn't make sense, okay? Why are both the new and old daughter-in-law doing this? I was disgusted with that Xin, in large part because she was so unabashed about the male protagonist. But I don't understand what the point of shaping her is, specifically to disgust readers? Make the heroine jealous? Let the heroine hear some gossip? Stop gossiping, enough gossiping, okay?