In my last life, I went to the Central Plains with him and languished in the back house of Chang'an for thirty years.
In this life, I stay in Dunhuang - it's not that I don't love him, it's that before I can love him, I have to live my life first.
"I Guard the Feitian in Dunhuang" uses the growth of a young painter as an incision, carrying the big theme of civilization protection; using the daily life of mural restoration as a micro narrative, it conveys the positive energy of self-improvement, protection, unity, and inheritance. What it allows readers to see is not "big principles", but "how a person can live like this."
