[Infinite Flow] [Invincible] [Multiple Heroines] [Games] [Daily Life] [Combat]
On New Year’s Eve, Bai Jiayu was suddenly transmigrated while working on his novel.
Along with 300 million people on Earth, he was dragged into another world.
It was a real universe filled with the power of countless human fantasies. The anime people had watched, the games they had played, the web novels they had read, even the hidden works they browsed late at night and fan-made comics: all of them had become real worlds.
The good news was that he could meet his waifus from the world of fiction.
The bad news was that the massive power of fan-made fantasies might distort them beyond recognition.
Everyone awakened a supernatural ability suited to them.
Bai Jiayu gained the power of “Text Reconstruction,” which lets him use energy to rewrite the settings of any story.
But every rewrite is judged by the original work’s audience. If the positive reviews outweigh the negative ones, he gets a reward; if the negative reviews outweigh the positive ones, he’s punished.
On his journey to grow stronger and find his way home,
he saved Yoshida Saki and Sakura Megumi in the worlds of *Shapeshifter* and *School-Live!*.
He brought the corrupted Yae Miko and Raiden Ei out of the world of *Genshin Impact*.
In the world of *MiSide*, he brought back Crazy Mita and Core Mita.
And their love, too.
Now, the bubble universes of the Nasuverse are invading his world. Before his energy runs out, he must stop them, then take the girls home.
The subject matter is quite novel, and the protagonist's flaws are honestly great, but they are not reflected at all. If the energy can be restored over time, then the protagonist can strengthen himself to the point where he doesn't know where he is in seven years. If it must be praised, the protagonist should find a weaker world to strengthen himself.
Some settings also feel a bit problematic. In the previous time travel, there were media, such as people or knives. How come the Resident Evil is a portal. Moreover, the world from the front is unique. After the transformation, the protagonist has global influence. Genshin Impact is also in the same world for everyone who enters it. Then why does Resident Evil have multiple world bubbles, all of which must be destroyed? And it doesn't even say why it needs to be destroyed. Is it because the virus in reality is destroyed and then it disappears? It feels like it was written just to advance the plot.
Are there also fantasy characters that can't enter other worlds? It's okay to explain it a little bit, but this will only make people want to vomit and feel unhappy.
The problem with the newly written weak fantasy characters is also very strange. Judging from Yoshida Saki's experience, these fantasy characters can completely go back, as long as they find a real person. Real people go to the fantasy world to find opportunities, and they can get what they need. There is no need to set up a dating corner as troublesome.
I hope the author can think more about it and improve the settings. Once it's done, the look and feel will be much better.
The subject matter is quite novel, and the protagonist's flaws are honestly great, but they are not reflected at all. If the energy can be restored over time, then the protagonist can strengthen himself to the point where he doesn't know where he is in seven years. If it must be praised, the protagonist should find a weaker world to strengthen himself. Some settings also feel a bit problematic. In the previous time travel, there were media, such as people or knives. How come the Resident Evil is a portal. Moreover, the world from the front is unique. After the transformation, the protagonist has global influence. Genshin Impact is also in the same world for everyone who enters it. Then why does Resident Evil have multiple world bubbles, all of which must be destroyed? And it doesn't even say why it needs to be destroyed. Is it because the virus in reality is destroyed and then it disappears? It feels like it was written just to advance the plot. Are there also fantasy characters that can't enter other worlds? It's okay to explain it a little bit, but this will only make people want to vomit and feel unhappy. The problem with the newly written weak fantasy characters is also very strange. Judging from Yoshida Saki's experience, these fantasy characters can completely go back, as long as they find a real person. Real people go to the fantasy world to find opportunities, and they can get what they need. There is no need to set up a dating corner as troublesome. I hope the author can think more about it and improve the settings. Once it's done, the look and feel will be much better.