In the twelfth year of Hongwu, Yan Changge, a doctor of arithmetic from the Imperial Academy, was expelled for advocating arithmetic and questioning the sole status of Confucianism. He met six princes in the rain and made a shocking statement about "dragon-slaying skills", which caused thunderous phenomena. He possesses the scientific knowledge of future generations, and wants to use his dragon-slaying skills to shake the foundation of millennia-old Confucianism. This secretly attracts the attention of Zhu Yuanzhang and the princes, and a game about knowledge and power quietly begins.
Reader comments
One point less is because: there are too many repeated psychological descriptions of facial expressions and scene descriptions. It feels like the author wants to move closer to a movie feel, but too high a repetition frequency affects the overall reading experience.
Everything else is fine.
In each chapter, in addition to advancing the plot, there are constant descriptions of wind and light. Every action has to bring out a background text, which is very tiring to read. There is no need for every plot to be framed into a detailed picture.
Follow-up review: To be honest, this is a profound novel. But I have to abandon the article.
A back-and-forth conversation could fill almost a chapter. After a sentence is finished, there are long paragraphs of expressions, psychological descriptions, and scene descriptions. Occasionally, forget it. The key is that after almost every sentence of dialogue, you have to be bombarded by a long paragraph of these descriptions, and then write another sentence of dialogue, and then another long description. It is nothing more than how the fingers suddenly clenched, the lips were pursed, how the wind blew, how the candlelight shook or even swayed a few times, whether the footsteps were light or heavy, and how the rain sounded. It was these descriptions every time, which was extremely painful.
Very very beautiful
Good books, good books, good reading
It looks very exciting, but it's not easy to comment on the advantages and disadvantages now. I suggest you put the review later.
It's so beautiful. Everyone is welcome to read it. After all, once you read it, you won't hear anything.
One point less is because: there are too many repeated psychological descriptions of facial expressions and scene descriptions. It feels like the author wants to move closer to a movie feel, but too high a repetition frequency affects the overall reading experience. Everything else is fine. In each chapter, in addition to advancing the plot, there are constant descriptions of wind and light. Every action has to bring out a background text, which is very tiring to read. There is no need for every plot to be framed into a detailed picture. Follow-up review: To be honest, this is a profound novel. But I have to abandon the article. A back-and-forth conversation could fill almost a chapter. After a sentence is finished, there are long paragraphs of expressions, psychological descriptions, and scene descriptions. Occasionally, forget it. The key is that after almost every sentence of dialogue, you have to be bombarded by a long paragraph of these descriptions, and then write another sentence of dialogue, and then another long description. It is nothing more than how the fingers suddenly clenched, the lips were pursed, how the wind blew, how the candlelight shook or even swayed a few times, whether the footsteps were light or heavy, and how the rain sounded. It was these descriptions every time, which was extremely painful.
Very very beautiful
Good books, good books, good reading
It looks very exciting, but it's not easy to comment on the advantages and disadvantages now. I suggest you put the review later.
It's so beautiful. Everyone is welcome to read it. After all, once you read it, you won't hear anything.