The sword attendant girl of the ancient heaven thought she was awakening to become the supreme step by step, but at the moment she reached the top, she discovered that her "counterattack" was part of the ten thousand year chess game played by the co-lord of heaven from beginning to end. The real counterattack starts with her shattering her own sword heart.
Reader comments
As a reader who has read the first few chapters, I would like to express my true feelings.
This is a hard-core and chilling fairy tale, not a routine novel. The most amazing thing is the sensory narrative - the author does not write the names of the moves, but the "speaking" sounds of the weapons: the knife roars "kill", the needle hisses "penetrate", and Shen Ying can hear the omen "before" the attack. This kind of auditory fighting is more immersive than visual special effects.
The imagery is very penetrating. The restrained edge of "Dark Silver" covered by rust is perfectly intertextual with the trajectory of the heroine's "instrument awakening as a human being"; and the two thousand three hundred and eighteen scratches on Zhongli Jia's wall are the most restrained tragic details in online novels in recent years - there is no explanation, only the lonely knife marks measuring time, which is shuddering.
Shen Ying is a true lone wolf type heroine: she does not use pills to resist the tearing of her meridians, she scorns mercy, and every vulnerability is real and sharp. She is not a princess waiting to be saved, she is the sword and sheath of herself.
Looking forward to reading what follows.
As a reader who has read the first few chapters, I would like to express my true feelings. This is a hard-core and chilling fairy tale, not a routine novel. The most amazing thing is the sensory narrative - the author does not write the names of the moves, but the "speaking" sounds of the weapons: the knife roars "kill", the needle hisses "penetrate", and Shen Ying can hear the omen "before" the attack. This kind of auditory fighting is more immersive than visual special effects. The imagery is very penetrating. The restrained edge of "Dark Silver" covered by rust is perfectly intertextual with the trajectory of the heroine's "instrument awakening as a human being"; and the two thousand three hundred and eighteen scratches on Zhongli Jia's wall are the most restrained tragic details in online novels in recent years - there is no explanation, only the lonely knife marks measuring time, which is shuddering. Shen Ying is a true lone wolf type heroine: she does not use pills to resist the tearing of her meridians, she scorns mercy, and every vulnerability is real and sharp. She is not a princess waiting to be saved, she is the sword and sheath of herself. Looking forward to reading what follows.