[Quick Transmigration + Underdog Turns the Tables + Easy Wins + Laid-Back]
From the start of every life, she takes over a supporting character born with extraordinary good luck.
A distinguished family, a promising match, opportunities everywhere: she’s been dealt a winning hand.
Yet, for one reason or another, each ends in tragedy.
Bound to a quick-transmigration System, she helps the original owners fulfill their wishes and rewrite the tragic fates that were meant for them.
The wealth, security, and happiness that others yearn for but cannot attain,
she gains without having to fight tooth and nail for any of it.
The sensible supporting character ultimately lives to become the winner everyone envies.
First World: Consort Qi in the Yongzheng era (Complete)
Second World: A Woman Doctor in the 1960s (Complete)
Third World: A Famous Opera Singer in Republican-Era China (Ongoing)
For the time being, I have only watched the plane of Concubine Qi and the Li family, which is the type I like to watch, but it would be nice if some parts could be handled more carefully. First of all, there are many things that are very dramatic. For example, the child calls Yinzhen "Dad" instead of "Ama", and Kangxi is called "Emperor Grandpa" instead of "Mafa"; the woman in the backyard should also call herself a concubine, not a concubine. In addition, the timeline is very confusing. The heroine's eldest son and youngest son are several years apart. How could Fujin be selected in the same draft? Moreover, the heroine's daughter is the same age as her youngest son. After the youngest son gets married, the heroine's daughter only turns fifteen? There are also other detailed logical problems. When the heroine enters the house, why does Fujin ask her if her parents have settled down??? I have never heard of a Qing Dynasty prince taking concubines and asking his parents to follow him to Beijing to settle down. Historically, Mrs. Li entered the backyard earlier than Fujin. Why does she seem to be younger than Fujin here? The queen also died earlier than the emperor and did not survive to become the empress dowager. Of course, if the author said it was a magical transformation, a parallel world or something, that would be fine, but if it was really a parallel world or a butterfly effect, the heroine should be slightly surprised, right? Just like the Nian family's child who survived to leave the palace without dying prematurely, the heroine also expressed surprise. In the end, Yong Zheng died too silently. Even if the heroine had no real feelings for him, there should be some kind of plot to go along with it? Say a few lines? Now, as a pure tool person, I log off when the time is up, which feels very sudden. I really really like this kind of plane where cannon fodder is cleared and counterattacked. I hope the author can write better and better, and can write about this kind of plane again next time. 😄
So pretty