In 996, Shi Yan, the social animal, died suddenly on a rainy night. His soul passed through the monkey in Huaguo Mountain and became Sun Wukong's senior brother. Instead of waiting for the protagonist's halo, he was bound to the "Monkey King Development System" and was forced to become Wukong's exclusive tool man. His only task was to help his junior to reach the top of Monkey King.
He does not fight monsters, upgrades, or improve his combat power. He only uses the rule-level folding technique to cut off cause and effect and erase memory. He uses the HR skills and contract thinking of a worker to ask for the golden cudgel in the Dragon Palace, change the book of life and death in the underworld, and discuss titles in the heaven. He forcibly rewrites the established script of Heavenly Way in Journey to the West.
But every time the cause and effect is rewritten, the body disintegrates: he coughs up gold threads, the meridians are blocked, and the skin becomes transparent until it is on the verge of dissipation. He is a bug that should not exist in the script of heaven. He is never fighting against monsters and monsters, but the fateful rules executed by heaven and represented by Tathagata.
From a tool man who passively completed the task to a guardian who took the initiative to shoulder the cause and effect, Shi Yan silently shouldered all the costs. During the showdown between the three realms, he unfolded all his memories in public and reversed Tathagata's 70,000-year plan with the "last twist".
Wukong finally saw the truth clearly. The golden cudgel fell to the ground and he choked with sobs: "Brother, let me carry it from now on."
From a social animal to a causal manager, he uses actions to break fate: there are never born tools, only guardians who are unwilling to accept fate.
Reader comments
When writing this story, I always wanted to give everyone a character that "can be remembered" and a plot that "will be recalled after reading it." Here are the foreshadowings and reversals that I carefully laid out, as well as the growth and passion of the characters. If you also like this kind of story with tight rhythm and vivid characters, you might as well take a look, I believe you won't be disappointed!
This novel is a bit novel [face covering] [face covering] I feel like you have ruined Journey to the West! I've seen a lot of adaptations of the Journey to the West framework
When writing this story, I always wanted to give everyone a character that "can be remembered" and a plot that "will be recalled after reading it." Here are the foreshadowings and reversals that I carefully laid out, as well as the growth and passion of the characters. If you also like this kind of story with tight rhythm and vivid characters, you might as well take a look, I believe you won't be disappointed!
This novel is a bit novel [face covering] [face covering] I feel like you have ruined Journey to the West! I've seen a lot of adaptations of the Journey to the West framework