Bone-Eroding Affection: Situ Chenxi, You Owe Me One

After reaching Chapter 160, my heart felt like it had been stuffed into a drum washing machine and tossed around a hundred times. This is a long-planned "spiritual delay", and as a reader, I know that there is a mountain of swords and a sea of ​​​​fire ahead, but I still can't help but read chapter by chapter. Let me first talk about the place that makes me want to stop. The sense of immersion at the beginning is too strong. Fang Shihan is not the kind of tool that makes you think "Wow, how miserable" from the beginning. Her forbearance is breathtaking. When she cooked porridge for Situ Chenxi and was knocked over, what readers could feel was not the cheap "abuse", but the humility of being dependent on others and counting the weight of every breath. This delicacy provides the foundation for all subsequent suffering. The stickiness of the characters' relationships is extremely well done. Uncle De's unsent letter, Sister Hong's cry outside the confinement, and the sketchbook handed over by Shen Moyan, these supporting characters are not background panels, they are matches that allow readers to feel the warmth in the long night. Especially Sister Hong, this character is so vivid. Her roughness and warmth make the prison line look like flowers blooming in the mud. The rhythm is accurately controlled. The setting of a climax every fifty chapters is very clearly reflected in the reading - from imprisonment to childbirth to depression to the gradual revelation of the truth, every node is on the top of the reader's mind. It won't make people tired, because the torture points and breathing points are well matched. Of course there are drawbacks. The transformation of Situ Chenxi has been paved for too long. He was almost in an "invisible" state in the first hundred or so chapters. Although it is consistent with the setting, it will leave readers without a centralized outlet for emotional output. There is also a sense of repetition in some prison descriptions, with scenes in the laundry room, infirmary, and solitary room switching back and forth, and occasionally there is a feeling of fatigue of "why are we here again?" But overall, this is a work that makes people feel heartbroken and unable to put it down. The moment Fang Shihan said "My name is Fang Shihan, don't let me die" on the hospital bed, I was completely shocked. This is the power of a good story - it doesn't make you cry, it makes you feel that there are really people in this world who have lived through such pain. Looking forward to the subsequent development of Chasing Wife Crematorium.

"She went to jail to give birth to a child and suffered from depression because of him, and he knelt down to confess and learn respect for her - this is not a story of reconciliation, but a story of a woman standing up from the ruins." This is not a simple story of sadomasochism, but an epic story of a woman rising from the ashes. Fang Shihan spent fifteen years of deep love, but what she got in exchange was not Situ Chenxi's return, but a carefully designed frame-up. She was sent to prison by the person she loved the most, gave birth to twins alone behind bars, suffered from severe depression, and lost weight to only 80 pounds. And when the truth came to light, the man who once made her kneel down to shine her shoes knelt at the prison door and begged her for forgiveness—but she only left one sentence: "I don't hate you anymore, but I don't love you anymore." The most fascinating thing about this book is not the humbleness of a boss pursuing his wife, nor the regrets of childhood sweethearts, but how a woman puts herself back together piece by piece after being crushed. She doesn't forgive easily, doesn't compromise because of her children, and won't be kidnapped by men's tears. From the love-minded white rabbit to the independent heroine, from humble to sober, every step of her growth steps on the hearts of readers. If you have ever loved someone so much that you don't even have self-respect; if you want to see how a woman lives her own light in the abyss - this book, you will turn to the last page and remain silent for a long time.

If we get back together in the end, I want to give up.