After transmigrating into a tragic romance novel, An Ruhong finds herself as an ordinary bystander, adopted younger sister to the female lead, with a mother who favors the female lead, an honest stepfather, a lively younger sister, a younger brother named Yaozu who is really just another burden, and a stepbrother living far away on an island.
There is also an older brother who almost got forced into sex, and his domineering wife.
After going to the countryside, surrounded by an endless field of gossip and a constant stream of protagonists, An Ruhong is depressed.
She is the only one without an overpowered golden finger!
A three-square-meter space is all she has.
The key is, she needs supplies to put in it!
And then there's her adopted sister's origins, and her mother's guilt. It's all the bitter side of love.
But she will never forgive them!
Faced with all the protagonists who have overpowered Systems, An Ruhong, an ordinary bystander, quietly hides her tiny three-square-meter space.
This is rubbish. A biased mother can give her work to her stepdaughter. It is written in such a grinding manner and still gives the heroine some space. It is too much. The reason why the mother prefers her stepdaughter could be that the stepdaughter's own mother saved her mother from falling into the water. It's normal for mothers to show partiality when they are grateful. The heroine said that she had starved to death and traveled through time. Why didn't she say that she thought the baby girl was too weak to survive? The two ends of the language are murderer and justice
I can't bear to complain (it's really too much). I hope you don't get it again.