Shanglu, 26 years old, runs an Internet company.
That day when she was walking on the road after get off work, a billboard fell down. When she opened her eyes again, she was already in a pure white space. A small glowing ball told her: You have been chosen to go to different worlds to complete tasks, and you can go back after completion.
Phytolacca thought for a while, and there was no other choice anyway, so let's do it.
In the first world, she was the stand-in heroine in Ba Zong's story. The original owner had been wronged for five years, and his wish was "I don't want to love anymore, I just want to live quietly." Shanglu looked at the injury on his wrist, calmly picked up his cell phone and called an ambulance, leaving Boss Ba in place.
In the second world, she was an abandoned concubine in the cold palace. The original owner's wish was to get out of the palace alive. Shanglu discovered that she could hear other people's inner thoughts. Instead of using this ability to win favor, she used it to negotiate terms and exchange for freedom.
In the third world, she is an ordinary person in the apocalypse. There is a certain probability that what she says will come true, but she cannot control the probability. She used this "poisonous milk" mouth to carve a path through the pile of zombies.
Twenty worlds, twenty kinds of golden fingers, twenty wishes of the original owner.
Phytolacca gradually discovered that there seemed to be some kind of connection between these worlds. The little ball she called "kiwi" seemed to have known her for a long time.
And the billboard that hit her didn't seem to be an accident.
Reader comments
This is not an ordinary fast-travel novel.
It does not fall into the common routines of fast-travel themes: the heroine is not a love brain and does not rely on conquering men to complete tasks; the villains are not "evil tool men" with facial expressions, each villain has his own logic and motivations; cheats are not omnipotent, and cheats in every world have a price; the ending is not "the heroine and the hero are happily together", Phytoglu finally chooses to return to his own world and be an ordinary person.
The core charm of this work is that it is about how a "person" finds himself in a life that does not belong to him, rather than how a "host" completes tasks in various worlds.
I hope you all like it and rate it.
This is not an ordinary fast-travel novel. It does not fall into the common routines of fast-travel themes: the heroine is not a love brain and does not rely on conquering men to complete tasks; the villains are not "evil tool men" with facial expressions, each villain has his own logic and motivations; cheats are not omnipotent, and cheats in every world have a price; the ending is not "the heroine and the hero are happily together", Phytoglu finally chooses to return to his own world and be an ordinary person. The core charm of this work is that it is about how a "person" finds himself in a life that does not belong to him, rather than how a "host" completes tasks in various worlds. I hope you all like it and rate it.