When Gu Chenzhou woke up, his legs were disabled and his name, Gu's Gallery, was heavily in debt. His stepmother Jiang Yuzhi tore up his paintings in public, and his stepsister Lin Wan mocked him as a "waste in a wheelchair." He was removed from the social circle, and even his three-year-old son was forcibly taken away by the Lin family on the grounds that he was "unable to provide an environment for artistic enlightenment." But he is not the original Gu Chenzhou. In his previous life, he was a top art historian, able to tell the difference between authenticity and authenticity, and with one hand, he could sell sky-high price painters. Facing the humiliation, he said calmly: "Ms. Jiang, the painting you just tore up is the last work of the late master Song Qiu, with a market value of 80 million." The whole place was silent. Gu Chenzhou turned his wheelchair and ran over debris on the ground. He used the rules of art finance to short his stepmother's auction house, exchanged an unpopular sketch for custody of his son, and even made his fiancée Lin Wan, who had abandoned him, look back in tears. But he only miscalculated one person - the cold-faced female lawyer Cheng Yanqiu. She didn't believe that his soul had changed, but she saw him quietly kneading his stiff knees every time he hugged his son. "You are not Gu Chenzhou at all." She stared into his eyes. He chuckled: "Then you want to report me? The wealthy family's secret agreement, once confirmed, all my property will belong to you." Cheng Yanqiu turned and left, but crumpled the report letter into a ball where he couldn't see it.
