During the Great Famine, eight-year-old Shen Xiaoyu, his nearly blind grandmother, and his three-year-old brother struggled to survive in a mixed refugee village. Once when she went up the mountain to dig wild vegetables, she got into a crevice in the mountain. When she opened her eyes again, she found that she was in a strange place with plenty of white rice and iron cows running all over the ground. For a few steamed buns, she played the role of a beggar child in a place called "The Studio". Others thought her acting skills were amazing, but she knew in her heart that she didn't need to act at all...
Reader comments
The plot direction is quite good and quite attractive. Although the heroine feels that her thinking does not match her age, she has experienced a lot of things after all. It is normal to be forced to mature early. It can be clearly seen that the heroine is relatively experienced in the things she has experienced. Those who have not experienced it will still behave very dull. Most of the characters are very in line with human nature. For example, the elder pretends to be confused just for profit. Aunt Li is good, but too straight and prone to bad things. These are well portrayed, but there are also many uncomfortable places. For example, my feeling after watching it is that the heroine's grandma treats her as a tool. She comes up with ideas for food and various plans, and the heroine takes action. The previous operation of using lights to create a god is just the heroine running around alone. This kind of is relatively simple, although the risk is also high, and the later part of getting water is really difficult. It's hard. I don't know how the heroine's grandma is so sure that an eight-year-old child can do it well. She has been portraying the heroine's grandma as a smart character in the past, so she can't think of this. Their family's safety, food, care in the village, and even their status all depend on an eight-year-old child. For these, the heroine's grandma takes it for granted and doesn't see any emotion. Maybe it's the same thing. The heroine always comes and goes when she wants to help her sister Fang. She always looks for her when she needs something. She keeps asking for help when others are nice. She doesn't tell the truth or give benefits. I waited for eighty chapters and I didn't see the heroine's feedback from sister Fang. Also, when will the heroine be smarter? Every time she gets diamond stitches, she gets injured all over her body. She doesn't wear good clothes or cover the sharp spots. Also (my feeling after seeing this is that the heroine is a tool person, and Sister Fang is also a tool person. The heroine's grandma and younger brother enjoy the blessings at home, with food and drink, and Aunt Li's care. The people in the village also enjoy the blessings. There is a lack of salt and water, and the daily enjoyment of these people is that of an eight-year-old The little girl worked hard in a strange world, but no one knew her efforts. Everything was attributed to the mountain god. The heroine was bruised and bruised all day long, but no one cared about it.) From the perspective of plot and character creation, it is reasonable, but from a psychological point of view, I felt uncomfortable watching it.
The storyline is perfectly constructed, the text is clear, and the characters are distinct. In ancient times, people were miserable, natural and man-made disasters abounded, and there were good people and bad people. The same is true in modern times. There are always many good people at any time.
Very good, there are few rigorous novels [laughing]
Super nice, faster
It's okay, eight years old is too mature
The author describes the details of the characters very well, and the story is also good! ! !
I can't hide the taste
Such a strong eight-year-old doll
Good literary talent and vivid characters
I was hungry when I was a kid, so I feel the same way!
Not bad. I hope the heroine won't indulge in escaping all the time. Hasn't she already settled down? There should be hope
Yes, it looks very nice, but the flashlight was made of metal at first and then plastic [laughing].
Not bad, not bad, good-looking
The writing is very good and detailed, why is the score so low [face covering] [what]
The plot direction is quite good and quite attractive. Although the heroine feels that her thinking does not match her age, she has experienced a lot of things after all. It is normal to be forced to mature early. It can be clearly seen that the heroine is relatively experienced in the things she has experienced. Those who have not experienced it will still behave very dull. Most of the characters are very in line with human nature. For example, the elder pretends to be confused just for profit. Aunt Li is good, but too straight and prone to bad things. These are well portrayed, but there are also many uncomfortable places. For example, my feeling after watching it is that the heroine's grandma treats her as a tool. She comes up with ideas for food and various plans, and the heroine takes action. The previous operation of using lights to create a god is just the heroine running around alone. This kind of is relatively simple, although the risk is also high, and the later part of getting water is really difficult. It's hard. I don't know how the heroine's grandma is so sure that an eight-year-old child can do it well. She has been portraying the heroine's grandma as a smart character in the past, so she can't think of this. Their family's safety, food, care in the village, and even their status all depend on an eight-year-old child. For these, the heroine's grandma takes it for granted and doesn't see any emotion. Maybe it's the same thing. The heroine always comes and goes when she wants to help her sister Fang. She always looks for her when she needs something. She keeps asking for help when others are nice. She doesn't tell the truth or give benefits. I waited for eighty chapters and I didn't see the heroine's feedback from sister Fang. Also, when will the heroine be smarter? Every time she gets diamond stitches, she gets injured all over her body. She doesn't wear good clothes or cover the sharp spots. Also (my feeling after seeing this is that the heroine is a tool person, and Sister Fang is also a tool person. The heroine's grandma and younger brother enjoy the blessings at home, with food and drink, and Aunt Li's care. The people in the village also enjoy the blessings. There is a lack of salt and water, and the daily enjoyment of these people is that of an eight-year-old The little girl worked hard in a strange world, but no one knew her efforts. Everything was attributed to the mountain god. The heroine was bruised and bruised all day long, but no one cared about it.) From the perspective of plot and character creation, it is reasonable, but from a psychological point of view, I felt uncomfortable watching it.
The storyline is perfectly constructed, the text is clear, and the characters are distinct. In ancient times, people were miserable, natural and man-made disasters abounded, and there were good people and bad people. The same is true in modern times. There are always many good people at any time.
Very good, there are few rigorous novels [laughing]
Super nice, faster
It's okay, eight years old is too mature
The author describes the details of the characters very well, and the story is also good! ! !
I can't hide the taste
Such a strong eight-year-old doll
Good literary talent and vivid characters
I was hungry when I was a kid, so I feel the same way!
Not bad. I hope the heroine won't indulge in escaping all the time. Hasn't she already settled down? There should be hope
Yes, it looks very nice, but the flashlight was made of metal at first and then plastic [laughing].
Not bad, not bad, good-looking
The writing is very good and detailed, why is the score so low [face covering] [what]