Wu Erlang, Don't Even Think About Killing Me in This Life!

First of all, the author's writing style is in-depth, allowing people to immerse themselves in that dynasty at once, including the use of words, movements, and detailed descriptions. It stands out among most books that emphasize efficiency and speed. The characters are three-dimensional. There is no extensive space to modify the appearance of the protagonist, but the focus is on the heroine's ability to solve problems (no exaggeration, no halo of the heroine, no heroic rescue, no weak feet, no screams, no altruistic gaze). Other characters do not show unreasonable kindness to the heroine, nor do they look down on the heroine because she is a woman. The heroine gradually wins the respect of a businessman (regardless of gender), which is the most optimistic point for me. But the heroine has really endured too many hardships, and the hardships experienced in shaping a tough heroine are unavoidable, but I personally think that these similar hardships (no preaching, feel free to ignore discomfort, no malice) are somewhat similar. The heroine can also be gray-white, and the counterattack is slightly heavier when she is persecuted by others (seeing some old women being favored by the heroine but allowing their families to abuse the heroine, the heroine is really powerless, Li Yuanwai's part), it is really a sense of reality where a cat cries and a mouse pretends to be compassionate! The female protagonist is a male and female, a scholar, a farmer, an industrialist, and a businessman. It makes people feel uncomfortable watching the movie because the heroine is struggling in a whirlpool. Suddenly I realized that I was the first commenter [shy]