Chiba Yuu, who traveled to the world of practical education with memories of her past life, was forced to attend Tokyo Advanced Education High School at the request of her family.
In order to survive three years of high school safely, Chiba Yu chose to act bad and become a little transparent in the class.
But the good times didn't last long. As troubles came one after another, the life Chiba Yu originally wanted to live in was gradually leaving him.
Ayanokouji Kiyotaka: "He is also a genius, but he will never ruin me."
Ryūen Sho: "Just wait, I will definitely catch your tail and defeat you completely."
Hirata: "Chiba-kun is a very gentle person and an indispensable member of our Class D."
Karuizawa Megumi: "Don't always try to change the subject!"
In class D, he was entangled by Megumi Karuizawa and forced to bid farewell to his ruined life.
(This article is not the kind of invincible cool article that specifically writes about pretending to be a pig and eating a tiger, nor is it a stud article about starting a harem. All the plots are for the sake of emotional drama)
Reader comments
They say they want to save energy, but they are still pretending to slap the protagonist in the face.
Redefining the meaning of energy saving
What you say is completely different from what you do.
If you don't want to change anything, why not read the original work? It's just to make yourself comfortable. 🥚At present, I'm not doing anything except being a nanny, and I'm not earning any points. I'm so busy that I can't help at all, emmm. Anyway, I'm trying to avoid lightning, and I can't stand it anymore.
I can only say that it's good to watch, but it tastes terrible.
It's pretty good, but the main character is a bit talkative at the beginning, which doesn't quite fit my idea of a badass character. It's probably just to advance the plot.
It should be okay later on. After entering the plot, the protagonist can't do anything if he wants to be bad. Just think of being bad as the protagonist's personality.
I came here for the single heroine of qjz, pure love and high competition [I learned it]
There is still something interesting to watch now
Energy saving hammer
Please give me a good review. The author would like to thank you [full]
Fake heroine Karuizawa Ema, heroine male mother, Hirata Yosuke
It's okay, but it's not suitable for me. It's conflicting. As mentioned earlier, the protagonist has been acting bad for so many years. As soon as he comes to this school, he acts like a benevolent person. He helps others everywhere. He talks about acting bad, but his body always moves towards the center of the whirlpool. However, it is very unreasonable here. You will not refuse others, so how did you behave like a person in the past ten years? Would you say no to your family? At the beginning, his father said something, and the protagonist felt irritated. As a result, when he went to school, he either talked to others or said something to others, so the protagonist tried to help as much as possible.
If you want to pave the way for the subsequent change in the protagonist's personality, then it's best to simply patch up the previous ten years. For example, although you want to mess it up, you can't turn a blind eye to other people's difficulties and demands.
Otherwise, it would look really awkward, which is what persuaded me to quit.
I think the opening pace is good, and a more relaxed atmosphere would be nice. After all, we are watching the single heroine Karuizawa Kei (^-^)/the kind of heroine on the market who is emotionless and purely used as a tool. Isn't it the same as the original Ayanokouji? Watching a good heroine devoting herself to an indifferent person from a third-party perspective, the pure one-way output feels very unsatisfying. QAQ must be written down, the author is great ✧*. ٩(ˊωˋ*)و✧*.
The protagonist wants and wants, and he says he is afraid of trouble, but he still reveals some information to the character (his mouth seems too honest), and then he keeps shouting "It's so troublesome" and "I don't want this", which makes him look like a hero, and he is really speechless.
I suggest the author take a closer look at Bing Guo. The protagonist's change from energy saving to power output is too abrupt, and it feels a bit arrogant.
The same hidden strength is exposed, Ayanokouji gives people a sense of man and machine, but you, the protagonist, give people a sense of hemiplegia, and after watching it for a long time, I can't see what the characteristics of the protagonist are. Duplicity? Confused thoughts?
In fact, you can definitely refer to the character design of Houtarou Oreki in Hyouka, let the protagonist be a little transparent, and then use the character of Hirata to slowly influence him, and then design new events to enrich the protagonist and get closer to Karuizawa.
Of course, my suggestions require relatively strong writing skills.
If the previous ones are just tool people, and they are all just for the purpose of dating later, I still suggest that the author thinks about what the protagonist of this book did and said, and whether he should create something original to strengthen or supplement the protagonist's character image.
If you dig out poison for yourself with less than ten cards, I really have no choice! Are you sure you are a time traveler? You time traveler, you scored 60 points in all subjects, are you crazy? Are energy conservationists still afraid of trouble? Are you serious? You might as well say you like to pretend! If you can't find a good exposure opportunity, just give it a try. As for using this method to dig poison for yourself? There are a bunch of similar fanfics here. Tell me, if you travel through time and know the plot, do you still imitate Lu's start, or do you have a 60-point exposure in all subjects, and what's the difference between a 50-point road in all subjects? Add ten points? Even if you say that to fit the title of the book, wouldn't it be enough to just say that the protagonist was exposed in junior high school? In this way, you are a human and you have something to say, but others are humans and machines without basic common sense! And you? A time traveler, you have been born in two lives, and you know the story of strength being paramount. If your buffs are stacked up, you are deliberately hiding, and you are holding back from taking action. Who can discover you? Unless they're cheating, why would they find you? You know the plot and pretend to be omniscient and omnipotent. If you tell me that you make such a stupid mistake, don't make Brother Fan laugh.
What you think about in your mind is showing off, and you are always looking for trouble with your words and actions. You ask everywhere what you think of this school. Giving free benefits to students is unrealistic. Why do you show off and worry about this? And as a person who saves energy, I don't go back to the dormitory after school to go shopping. I am invincible even if I don't refuse someone's invitation. The left brain fights the right brain.
The protagonist's words and deeds are inconsistent, and he acts upright. He clearly knows the plot, and he imitates Ayanokouji and gets the same score. He reminds Hirata, but doesn't refuse his invitation. He keeps making suggestions in the circle of other leaders, and then keeps saying things like "I want to show off, it's so annoying".
In the beginning, you just used "energy saving" as a gimmick, but in the end, you were afraid of causing trouble again [laughing awkwardly]. If you really stand up, you won't say anything. Now, with the left-brain and left-brain interaction, the readers feel more trouble than the protagonist.
And Karuizawa's single female protagonist?
Why don't I read the original work?
It's not a big problem, but the character of the protagonist is a bit of a left-brain conflict. As the author, I would like to give you a suggestion. Rather than talking about energy conservation, you might as well say that the protagonist is more casual. Your protagonist is actually a bit... Hao and man-machine...
Let's not talk about anything else. Let's focus on the heroine Hui. I've definitely read this book.
Well written, Hui Bao is very cute. Highly recommended to those who like Hui, I hope the author will not stop updating.
I hope the author locks himself in a small dark room, it's not enough [Chigua]
They say they want to save energy, but they are still pretending to slap the protagonist in the face.
Redefining the meaning of energy saving
What you say is completely different from what you do.
If you don't want to change anything, why not read the original work? It's just to make yourself comfortable. 🥚At present, I'm not doing anything except being a nanny, and I'm not earning any points. I'm so busy that I can't help at all, emmm. Anyway, I'm trying to avoid lightning, and I can't stand it anymore.
I can only say that it's good to watch, but it tastes terrible.
It's pretty good, but the main character is a bit talkative at the beginning, which doesn't quite fit my idea of a badass character. It's probably just to advance the plot. It should be okay later on. After entering the plot, the protagonist can't do anything if he wants to be bad. Just think of being bad as the protagonist's personality. I came here for the single heroine of qjz, pure love and high competition [I learned it] There is still something interesting to watch now
Energy saving hammer
Please give me a good review. The author would like to thank you [full]
Fake heroine Karuizawa Ema, heroine male mother, Hirata Yosuke
It's okay, but it's not suitable for me. It's conflicting. As mentioned earlier, the protagonist has been acting bad for so many years. As soon as he comes to this school, he acts like a benevolent person. He helps others everywhere. He talks about acting bad, but his body always moves towards the center of the whirlpool. However, it is very unreasonable here. You will not refuse others, so how did you behave like a person in the past ten years? Would you say no to your family? At the beginning, his father said something, and the protagonist felt irritated. As a result, when he went to school, he either talked to others or said something to others, so the protagonist tried to help as much as possible. If you want to pave the way for the subsequent change in the protagonist's personality, then it's best to simply patch up the previous ten years. For example, although you want to mess it up, you can't turn a blind eye to other people's difficulties and demands. Otherwise, it would look really awkward, which is what persuaded me to quit.
I think the opening pace is good, and a more relaxed atmosphere would be nice. After all, we are watching the single heroine Karuizawa Kei (^-^)/the kind of heroine on the market who is emotionless and purely used as a tool. Isn't it the same as the original Ayanokouji? Watching a good heroine devoting herself to an indifferent person from a third-party perspective, the pure one-way output feels very unsatisfying. QAQ must be written down, the author is great ✧*. ٩(ˊωˋ*)و✧*.
The protagonist wants and wants, and he says he is afraid of trouble, but he still reveals some information to the character (his mouth seems too honest), and then he keeps shouting "It's so troublesome" and "I don't want this", which makes him look like a hero, and he is really speechless.
I suggest the author take a closer look at Bing Guo. The protagonist's change from energy saving to power output is too abrupt, and it feels a bit arrogant. The same hidden strength is exposed, Ayanokouji gives people a sense of man and machine, but you, the protagonist, give people a sense of hemiplegia, and after watching it for a long time, I can't see what the characteristics of the protagonist are. Duplicity? Confused thoughts? In fact, you can definitely refer to the character design of Houtarou Oreki in Hyouka, let the protagonist be a little transparent, and then use the character of Hirata to slowly influence him, and then design new events to enrich the protagonist and get closer to Karuizawa. Of course, my suggestions require relatively strong writing skills. If the previous ones are just tool people, and they are all just for the purpose of dating later, I still suggest that the author thinks about what the protagonist of this book did and said, and whether he should create something original to strengthen or supplement the protagonist's character image.
If you dig out poison for yourself with less than ten cards, I really have no choice! Are you sure you are a time traveler? You time traveler, you scored 60 points in all subjects, are you crazy? Are energy conservationists still afraid of trouble? Are you serious? You might as well say you like to pretend! If you can't find a good exposure opportunity, just give it a try. As for using this method to dig poison for yourself? There are a bunch of similar fanfics here. Tell me, if you travel through time and know the plot, do you still imitate Lu's start, or do you have a 60-point exposure in all subjects, and what's the difference between a 50-point road in all subjects? Add ten points? Even if you say that to fit the title of the book, wouldn't it be enough to just say that the protagonist was exposed in junior high school? In this way, you are a human and you have something to say, but others are humans and machines without basic common sense! And you? A time traveler, you have been born in two lives, and you know the story of strength being paramount. If your buffs are stacked up, you are deliberately hiding, and you are holding back from taking action. Who can discover you? Unless they're cheating, why would they find you? You know the plot and pretend to be omniscient and omnipotent. If you tell me that you make such a stupid mistake, don't make Brother Fan laugh.
What you think about in your mind is showing off, and you are always looking for trouble with your words and actions. You ask everywhere what you think of this school. Giving free benefits to students is unrealistic. Why do you show off and worry about this? And as a person who saves energy, I don't go back to the dormitory after school to go shopping. I am invincible even if I don't refuse someone's invitation. The left brain fights the right brain.
The protagonist's words and deeds are inconsistent, and he acts upright. He clearly knows the plot, and he imitates Ayanokouji and gets the same score. He reminds Hirata, but doesn't refuse his invitation. He keeps making suggestions in the circle of other leaders, and then keeps saying things like "I want to show off, it's so annoying".
In the beginning, you just used "energy saving" as a gimmick, but in the end, you were afraid of causing trouble again [laughing awkwardly]. If you really stand up, you won't say anything. Now, with the left-brain and left-brain interaction, the readers feel more trouble than the protagonist.
And Karuizawa's single female protagonist?
Why don't I read the original work?
It's not a big problem, but the character of the protagonist is a bit of a left-brain conflict. As the author, I would like to give you a suggestion. Rather than talking about energy conservation, you might as well say that the protagonist is more casual. Your protagonist is actually a bit... Hao and man-machine...
Let's not talk about anything else. Let's focus on the heroine Hui. I've definitely read this book.
Well written, Hui Bao is very cute. Highly recommended to those who like Hui, I hope the author will not stop updating.
I hope the author locks himself in a small dark room, it's not enough [Chigua]
More people must be invited to eat this mess
Big cheers for the author
Very interesting, good luck to the author
Boss, hurry up and add more updates
Ok ok ok
Ok ok ok
In general, give some encouragement